 Editor's Note: New Gamemaster Month is technically in January, but it's never a bad time to share insight and advice to new GMs. Happy gaming!
There is a natural order to roleplaying games, in which players and gamemasters coexist sharing wonderful tales between each other, and at some point during this magical connection a player will declare themselves worthy enough to run their own game. Most meet with success, while some others fall sadly short of their own expectations. The memory of this defeat either leads the charge into the next attempt, or becomes the final blow into retreating back behind a character sheet. My initial foray into running a game was disastrous, but I didn’t let that stop me from pushing through and trying again. The next few attempts were better, but not by much, so I figured what better way of explaining how bad things got with a few regrets from my first swing at this GM thing. 1) Reading The Rules My very first attempt was at D&D 5th Edition, using the starter set. I had a copy of the rulebook and read all the character creation rules and set about getting the group together. Eight people made characters, only six played my version of Mines of Phandelver. No one really knew what was going on or how anything worked; play was broken up by the rulebook being pulled out and a 20 minute section took the whole evening. No one enjoyed it. What I really needed was a small group to help playtest the rules first using the provided pre-generated characters. 2) Not Reading The Whole Adventure Getting so far through the adventure on my second attempt, I realised I had no idea what was coming next: a huge embarrassment. I had read what I thought would take the whole session but the players had whipped through to a point that I was unprepared for, and I had to fudge a few details to keep the flow. This would have been fine if I had any idea where the story was leading afterwards. 3) Over Preparing I decided, after my blunder with not having read the whole story of Phandelver, to give writing my own adventure a shot. I spent a month meticulously planning an adventure in my own kingdom, created multiple storylines around various decision points, and populated the setting with a variety of NPCs who I built from the ground up, each for specific reasons. The players blasted through it in two sessions. The best advice I have ever been given with regards to preparation is to have a good story in the background running its course and improvise everything else. 4) Accepting Anyone Looking back, a few of my non-D&D attempts were sunk by one or more players not really ‘feeling’ the setting or style of gameplay. Had I vetted my players better and communicated what I was expecting more effectively, I would have been running a game for a group who wanted to play the game I was offering. This kind of thing should definitely be established before you ask people to join your game to ensure everyone enjoys what you are trying to create, together. 5) Trying To Change Mid Game The one huge thing that comes to mind is the intent behind the game. I tried running a light-hearted game with a player who wanted to bend the rules to their will and destroy all who stood before them. So I tried to change the mood of the game to suit them, which in turn alienated the rest of the players. These were just five of my regrets from my starting years. I have since learned from my mistakes and try to create fun and enjoyable games whether or not I'm running a game. I always try to add to the enjoyment of the players. I still make errors when running games, but usually I can iron them out quickly. My one big recommendation for any newcomers to the realm of game mastering is to ensure you and your players are on the same page: know what you and they want from the game to maximize enjoyment. Ross Reid is a roleplayer of many characters and has enjoyed many a good story, currently only running a game for his children, he plans a grand return in play by post format. His system of choice is FATE but will dabble in anything that looks interesting. Picture Reference: https://www.montecookgames.com/new-gamemaster-month-is-coming/  I love building and exploring weird worlds, and there is no medium better suited to this than tabletop RPGs. There is no limitation based on art, or programming, or computational power; the world can be anything and everything your imagination can bring to the table. Given how important worldbuilding is to me, and many others involved in the hobby, I’m surprised by how few tabletop RPGs have settlement building as a major conceit. As someone whose imagination runs at a mile a minute, I get the appeal of going on adventures, of new places and new things always around the corner. But I think there’s something to be said for depth in world building as well. If your city, or spaceport, or hub location of another kind isn’t deep enough and interesting enough to set a whole campaign in, then what does it amount to, other than a wondrous novelty? So let’s talk about how to do interesting things with settlements in tabletop RPGs. 1) An Argument For Settlement Building Mechanics If you’re like me and prefer games with as few mechanics getting in the way as possible, you may question whether we even need mechanics for settlement building. Of course you don’t need them, but I do think that having at least a few mechanics is a good idea. For starters, it serves as a signal to your players. Having some mechanics for settlement building in your game tells the players “this is a thing you can do, and can be a priority in this game”. The fact that there aren’t codified mechanics for settlement building in D&D (or at least, they’re often supplemental) is I think part of why we don’t consider this to be a major trope of tabletop RPGs along with adventuring and dungeoneering. Mechanics for settlement building also facilitate the process, compared to a free-form approach. Players can often be aimless and indecisive, but having mechanics for how to build a settlement gives players the direction they need to keep the game moving and keep the players engaged. It also gives GMs a framework to integrate settlement building into a campaign. 2) A Framework For Settlement Building I like to keep games rules-light, so this is a simple framework for settlement building intended to be translatable to various systems. I’ve recently been reading Numenera Destiny, which was a major inspiration for this post, so my ideas are loosely based on their mechanics, but streamlined. Building resources should be separated into two categories. Mundane resources are things that can be found or bought fairly easily, like wood or metal in most fantasy settings. These resources should be abstracted to some combination of regular currency value such as gold and/or time to get the resources (or pay someone to get them). The second currency should be resources that are precious, difficult to acquire, or in such high demand that they cannot easily be bought. This currency should be specific to building (or maybe crafting more generally) and should not normally be able to be purchased with regular currency. As an example of how this would work, we can imagine a fantasy setting where the party wants to build a magic lightning turret to protect a village plagued by undead fiends. The construction will be mostly wood and metal (some gold value), but the magic lightning will require some magically conductive materials (our secondary resource). Assuming they have the resources, they can either spend time to build the construct, hire laborers, engineers, and artificers to build it, or if the settlement has attracted a sufficient number of specialists already, the city budget may already account for labor costs. If they want to add additional features, like multiple magical lightning rods to target multiple enemies, or a longer rod for longer range, or some enhancer to give it an area of effect, this will increase the secondary resource cost, whereas just making it better fortified may be a simple gold cost increase. It may help to give the structures levels, where the level determines some range of gold cost and secondary resource cost (and possibly also the time cost). There are, however, other things we need to consider when it comes to adding settlement building into a campaign. 3) The Practicalities Of Settlement Building As stated above, construction takes time, and managing downtime is always tricky in tabletop RPGs. One option is to hire builders, as suggested above. Another option is to roleplay out “vignettes” of various activities that the party gets up to periodically during the course of construction (a construction accident where somebody may be in danger, a necessary schematic has gone missing and is believed stolen, etc.). This “vignettes” idea could work as a general mechanic for dealing with downtime, but given that downtime may be more prominent in a settlement building campaign, it’s especially important to think about how to make it fun in this context. The mechanics for settlement building in Numenera Destiny require a series of rolls to determine how successful the building process is, where the failures may add time to the construction, or add a defect into the structure, but I’m not a fan of this approach. First, multiple rolls for a single outcome is cumbersome. Second, adding time to the project just delays the thing the outcome (and by extension game progression) without adding any value to the game. Third, given the time and cost of building, ending up with a defect seems unsatisfying. I think the building process should be treated more like a “take 20”, where it’s a guaranteed success unless it’s at some critical moment where it would create tension (the enemy army will be here in two days and we haven’t finished the wall!), or where a defect would make the game interesting (the teleporter accidentally sent the party to an alternate universe!), and then it can be reduced to a single roll like any other skill check. 4) Progression In A Settlement Building Campaign The settlement can be thought of as a character. A level 1 settlement will have a small population (relative to the setting), access to few resources, at most one advanced structure (a structure that would require the secondary resource to build or repair), and would have only mundane shops. There would be few settlers (or travelers) of note, and the quest board or NPC quest-givers would be few and simple. The settlement may have some needs, like a wall or other defenses, a road, a grainery or some other resource-related structure. To advance from level 1 to level 2 will require a few mundane structures that cost a decent amount of gold, and one advanced structure that costs a secondary resource. If you also used a level-system for structures, you could have a cap like a level 1 settlement can only have level 1 structures, and a settlement levels up after some number of structures have been produced or upgraded. The resources (mundane or advanced) may be found in a nearby forest, or would be more available if they could cut a deal with the neighboring village, giving the players a justification to explore and go on quests and adventures. Once the settlement reaches level 2, new and more interesting NPCs move in, or old NPCs gain new skills or have resources that allow them to do more interesting things, like the blacksmith being able to make better weapons and armors, and higher level structures can be built. My OSR Weapon Hack, where a base weapon is given added qualities of different cost values, may be a good basis for filling out these shops as the settlement advances, and I may at some point design a similar generator for settlement building as part of a larger crafting system. In addition to new and improved shops and more or more interesting quest-givers, the settlers may be able to build certain mundane, lower-level structures at a lower cost, or without assistance from the party (besides resources). The players are rewarded for investing in the settlement, both in a quantitative sense, like leveling up their own character, but also because the settlement will grow and change, partially in ways they designed, but sometimes in interesting and unexpected ways. 5) Settlement Building Campaign Seeds I wrote a settlement building campaign scenario for my current campaign in my Aquarian Dawn setting, but there are all sorts of possibilities: After crash-landing on the planet, the crew of the starship must find a way to integrate into the nearby village while they work on their repairs. Normally they have strict rules about interfering with less advanced civilizations, but while they’re stuck here, how can they sit by while they watch people suffer due to inadequate knowledge, poor infrastructure, and external threats? Also, without processing facilities, how will they repair their ship? In the near future, global warming and the subsequent series of wars and economic disasters has devastated the planet. A coalition of peoples from throughout the world have united to send a generation ship into space, to colonize a distant world and give humanity a second chance. The crew will have to maintain order on the ship for generations, maintain its systems, and eventually terraform and colonize the distant world. Very loosely based on my Antikythera Nova setting, which could also be used for a settlement building campaign. A group of wandering warriors / adventurers find themselves resting in a small, peaceful village, far removed from the wars and plights of the kingdoms. However, no peace is everlasting, and various bandits and warlord “tax collectors” exploit the hard-working villagers, taking more of their crops than the village can sustain. The villagers beg the wanderers to help them, but the wanderers won’t be able to do it alone. They’ll need to train the villagers to defend themselves, and build traps and fortifications to defend against the marauders who vastly outnumber and would otherwise overpower them. Settlement building as a mechanic and campaign premise deserves as much recognition as a core feature of tabletop RPGs as adventuring and dungeoneering, and I hope this framework inspires more people to try it out. As my current campaign progresses, I will likely flesh out this system in more depth, and I hope people will be interested to see how this develops. As a worldbuilder, this is a fun way to add depth and to bring a collaborative worldbuilding element to your campaign: by allowing the players to determine how the settlement progresses. If you have thoughts on how to add settlement building mechanics to tabletop RPGs, or how to run a settlement building campaign, please leave a comment! Max Cantor is a data engineer, whose love of all things science fiction, fantasy, and weird has inspired him to build worlds. He writes a blog called Weird & Wonderful Worlds and hopes to spread his worlds across the multiverse of imaginations! Picture Reference: https://www.drivethrurpg.com/product/240655/Numenera-Destiny?affiliate_id=657321  In any creative medium that lasts long enough, there’s bound to be stretches where it seems like everybody is just copying what everybody else is doing. (In art history, they refer to these periods as movements.) Tabletop roleplaying games are no exception. An acquaintance of mine once lamented that so many games were using Powered By The Apocalypse, but not really doing anything to really make their game unique, and made the leap in logic that they were just doing so because everybody else was making a game that used PbtA. I remain largely unimpressed if a game bears a logo signifying that it uses a certain ruleset. However, I have also witnessed a few instances of people reacting strongly to such labels, both favorably and not. I try to remain dispassionate whenever I notice a trending game engine or game style in our hobby. I’ve seen it happen numerous times before. More often than not, it’s just that: a passing trend that in time, will be mostly forgotten. In light of that sentiment, for your reading pleasure, I present you with “5 Creative Movements In The RPG Fandom” so as to celebrate the unique inventions of our hobby. 1) The Fantasy Heartbreakers A term coined by Ron Edwards of the web forum The Forge, Fantasy Heartbreakers is a type of game that Edwards identifies being prominent in the 1990s. They were independently published games of the fantasy genre that seemed to be products of people trying to bring their own take on what Dungeons and Dragons could be. He describes many of them as having great ideas, but being trapped behind the shortcomings of D&D, for one of three reasons. They don’t play to what truly makes them unique, they make some minor adjustments to some of the apparent problems D&D had at the time, or they just flat out keep some of the absurd themes that D&D was stuck with. The reason these are titled Fantasy Heartbreakers is twofold: they were obviously fantasy games, but more importantly, this was a considerably more difficult time to self-publish. The internet was budding, and some of these games did take advantage of having websites, but DriveThruRPG didn’t quite take off till some years after 2000. This meant the cost of self-publishing was considerably higher, to the effect of thousands of dollars just to print. (The cost of commissioning artwork, if you could even afford it, would compound the issue.) And so, a fantasy game designer’s dream of being the next Gary Gygax would often end in a broken heart -- so much effort, so much investment, all to be forgotten in a market too small for them. 2) There’s A GURPS Book For That Generic Universal Roleplaying System is the flagship RPG of Steve Jackson Games, the company that may be better known for the Munchkin franchise. While now typically scoffed at as having way too much math to be enjoyable, there was a time when GURPS addressed issues of contemporary games. Issues such as character creation being too rampant, or playing in a different setting requiring learning a completely new game. In the 90s, GURPS was all the rage, and much like how Steve Jackson now licenses out Munchkin whenever he needs to pay the rent, he did the same with GURPS during its heyday. While both Steve Jackson’s own web-store and Drive Thru RPG boast staggering collections, this isn’t the complete library. There were numerous books published that bore the GURPS logo, including the now out of print Vampire: the Masquerade GURPS sourcebook, and even a few Japan-only exclusives such as GURPS Runal. The heyday of GURPS may be over, and large swaths of its library may now be difficult to find, but it’s hard to deny that it’s an important artifact of tabletop gaming history. (Especially since the Secret Service once seized all of Steve Jackson Game’s equipment over one of their GURPS sourcebooks!) 3) D20 System After the Fantasy Heartbreakers bled out, but before the weight of GURPS’s massive library collapsed on itself, Wizards of the Coast acquired the remains of TSR, and brought us Dungeons and Dragons 3rd Edition, and with it, the Open Gaming License and the moniker d20 System. With the freedom to use the rules to D&D to make one’s own supplements and games came a deluge fan made splat books, along with officially licensed games. Some of these were good, or at least well received, such as Mutants and Masterminds, or Blue Rose by Green Ronin publishing. I’ve read through Blue Rose; frankly, this was much like one of the Fantasy Heartbreakers opined upon by Ron Edwards close to two decades ago. It added a few new mechanics and a different setting, but at the end of the day, it was Dungeons and Dragons 3rd edition with a different coat of paint. Most games either fell into the above category, or showcased some of the flaws of Dungeons and Dragons’ core mechanics. Big Eyes Small Mouth d20 is one such example of the latter. It tried to include the freedom of a point buy game with the structure of a level based one, and failed pretty miserably at both with a kitchen sink setting. The surge of the d20 system died down some the flop of Dungeons and Dragons 4th edition, and the revival of D&D in the public eye with 5th edition. Though somewhere between the 4th and 5th edition being released, a new movement gave way. 4) Powered By Fate (Or The Apocalypse) Sometime before Dungeon and Dragons 5th edition being released, FATE and Powered by the Apocalypse picked up in popularity. I remember some of the ways friends of mine initially described FATE when its 4th edition was released in 2013. They described it as being “easier to understand” and “letting you do anything.” Which brings us to where we stand now. We’re in the middle of a movement marked by narrative games using FATE or Powered by the Apocalypse cropping up, either as fan made games like the numerous Star Wars FATE games, or as independent publishing, such as a Nahual, a Mexican game about urban fantasy, set in (surprise) Mexico. Social movements have a strange way of not being all encompassing, though. The Fantasy Heartbreakers were happening at roughly the same time GURPSmania was, which dragged on sometime into the era of the d20 System’s reign. Moreover, with Dungeons and Dragons having some of its rules released under the Open Gaming License, we’re seeing a second wind of extra Dungeons and Dragons material during our current age of FATE and PbtA, including High Level Games’s own addition to this canon: Snow Haven. 5) Bonus! Standard Roleplay System To illustrate that this isn’t exclusively a trend in the English speaking roleplaying game community, I’d like to touch on something similar that’s happened in Japan. The game publisher Far East Amusement Research is one of the big names in publishing RPGs in Japan. They’re known for two things: having published Tenra Bansho Zero, as well as creating the Standard Roleplay System. The Standard Roleplay System is exactly what its name implies: a standard set of rules that FEAR’s games use, creating a similar wave of games in Japan as we’ve had in the West. One of the most bemoaned examples from Western fans of Japan’s RPGs is a game called Monotone Museum, which was designed to prove a point about SRS: anybody, even those who don’t have much experience in RPGs, can make one. The rules deviate very little from the SRS document, and shares a lot of common themes with other FEAR Games, including Tenra Bansho Zero and Double Cross. Themes such as stacking multiple archetypes to make your character, having a cosmic force that both empowers and corrupts your character, and having to take steps to avoid being lost to said force. I’ve initially bemoaned how similar so many different RPGs can all be the same, but as I wrote this article and took the time to organize my thoughts on the matter, a few things did dawn on me. The first is that every so often, something truly new does come around and shake things up. The other is that even within a familiar framework, there can still be room for something interesting to be made. After all, despite basically being a clone of JRPG video games of the time, Earthbound is still one of the best games of its kind. While Aaron der Schaedel has been in the RPG fandom for a very long time, he’s spent most of that time in the fringes of it, where he’s found all kind of wonderful, bizarre, and even horrifying things. You can (and should) ask him questions about the things he’s found via twitter: @Zamubei Picture Reference: https://www.drivethrurpg.com/product/224851/GURPS-Fantasy  We’ve been in the middle of an RPG renaissance for several years now. More games are coming out than ever before, and we’ve had huge inrushes of players eager to snap them up. And while creative changes in the industry, positive outreach from the community, and the ascension of geek culture have all played their part, something we can’t ignore is the popularity of YouTube campaigns like Critical Role or Acquisitions Inc. These games have allowed audiences who have never seen an RPG in action before to watch how it’s done by the pros, allowing them to get an idea of how all these moving parts should look when you flip the switch. In broad terms, we can all agree that’s a good thing. Especially for players and dungeon masters who want to get into the hobby (or into a particular game), but who lack more experienced people to reach out to, and could use some examples of how things work. In specific terms, though, there has been a definite up-tick in complaints that a particular game isn’t run like what they see on the Internet. So if you’re a player or dungeon master worried about how your game doesn’t look like the sort of game Matt Mercer would put together, take a deep breath, and relax. That’s okay. In fact, it’s great. Here are some reasons why. Reason #1) This Isn’t Your Job Most people out there who love RPGs play them for fun. What a lot of folks forget is that, for the YouTube dungeon masters and convention games that people buy tickets to watch, that’s not the case. They are doing this to entertain you, the viewers. Is it fun for them? Yeah, probably. But their main concern is more about what gets more viewers. Hence the celebrity guest players, the carefully crafted story lines, making sure a lot of stuff is worked out in advance for rules calls, etc. If you’re running your game for the purpose of drawing ears to a podcast, or getting a lot of hits on YouTube, then by all means mimic what the successful games are doing. But if this is for funsies, remember that you don’t have to put on the whole three-ring show the way the pros do. Reason #2) Professional Games Aren’t Cheap You see all the props, the cool minis, the fully laid-out map, etc. that are on these shows? Well, they’re there in order to give the audience something cool to look at. Because the advent of popular 3D printing may have made such things cheaper, it has in no way made running a game that looks that good cheap. So if you’re not working with a big budget, there is zero shame in using re-purposed green soldiers, monster figures from SCS, or just Lego figures, and drawing with dry-erase markers on the map. This same logic applies to all the complaints you might see regarding production values. From the ambiance of the set, to any music used, or just to how much in-depth RP the players and dungeon master do. Remember that these things have costs in terms of time, energy, preparation, and setup. If you don’t have the budget for bells and whistles, don’t worry. Engage with the game, and the story you’re all telling. Reason #3) Every DM Is Different While he catches a lot of flak, Matt Mercer himself has said that every DM should be free to develop their own style, and to find what makes their game work for them and their table. RPGs aren’t like organized sports, where if you want to be the best you should imitate those who are most successful (which, in this case, means the people who are known professionally for running entertaining gaming sessions). Are there things you can learn from the folks who captain these YouTube campaigns? Of course there are! But there’s a big difference between learning a lesson or taking a bit of flair to work into your own routine, and outright copying what they’ve done. So remember, there are no rules when it comes to this hobby. And if the only objection someone has is, “That’s not how they do it on TV,” then you should politely inform them that they and their character are not a part of that particular show. Reason #4) Are You Not Entertained? Have you ever had a discussion with someone who tried to game shame you? This happens more with video games where people will talk down to you if you prefer a game that is older, doesn’t have good graphics, or isn’t the current in thing to play, and it’s just as asinine in those situations as it is with tabletop games. Don’t compare yourself to others, especially in a story-based, creative endeavor. It doesn’t matter if your sword-and-sorcery campaign doesn’t feel like a Robert E. Howard adventure, and it’s immaterial if your horror game leaves out the earmarks of Lovecraft’s finest work. And it’s no more important that your game looks or feels like a professional podcast, as long as everyone is enjoying themselves playing it. Reason #5) You Have Different Needs Not to get repetitive, but these popular games exist to entertain an audience. That is the driving goal behind a lot of the decisions that get made (one in particular that comes to mind is Critical Role switching from Pathfinder to Dungeons and Dragons 5th Edition in order to speed up play so the audience wouldn’t get bored). However, you and your players may have needs or wants that this kind of format simply cannot provide for. As an example, if you want that kind of mechanical complexity (or you feel that rules which have been truncated or re-written to speed up the game on-camera should be run differently), then it’s okay for you to play games that scratch that itch. If you want to deal with the kind of subject matter that wouldn’t show up on these shows, or if you want to do deep dives into game setups that might not seem as interesting to a broader audience, you can do that as well. Games on YouTube are about what makes the audience happy. Your game is about your and your group’s needs, and unless you’re broadcasting, focus on what you need out of the game in order for you to enjoy it. For more from Neal Litherland, check out his Gamers archive, as well as his blog Improved Initiative! And if you’re looking for a new YouTube channel dedicated to gaming, stop by Dungeon Keeper Radio. Picture Reference: https://www.pinterest.com/pin/78320481003470118/  This is an introduction to how to build your very own campaign world. In it I hope to introduce you to some world building concepts and ideas that you can use or chose to ignore when designing your own campaign world. There are a lot of campaign worlds out there, but nothing is as unique, and as well known by you, as your own campaign world. There are lots of ways to build your world, but the best way, in my opinion, is to model off of our own world. After all it is the world we know best and the only world that we know can support intelligent life, at least for now. 1) Start With The Macro Scale Is your campaign world even a planet and if so, what shape would it be in? A spherical world is common and the result of constant gravitational effects on assembled particles. It is theorized that dust was formed when the Sun, Sol, was born and out of these dust clouds the planets coalesced. Then the asteroids that formed clumped together or fell to the planets and some became moons. Most though were absorbed by the planets and evolved into the round balls we know so well. Well, what if your world is flat (it sure would be easy to map)? What if it were a toroid or square, or some wild shape? The intervention of magic can do a lot, so could a planar gate with connections to other planes either outer or inner. The majority of worlds will be spherical and resemble earth, but that doesn’t render the rest of this discussion different if you chose a different shape for your world. What shape will you choose for your world? 2) What Is The Density Of The World And Its Organization? Jack Vance, the science fiction author, invented a big world in one novel. It was the size of Jupiter and had a low density. Its size allowed it to hold its atmosphere, but its huge size allowed for vast land areas and huge continents. The only problem was that metal was rare, most of it came from the occasional meteor that crashed into the planet and those deposits of metal were very valuable. Nations would go to war over them. Philip José Farmer invented the Riverworld; it was a unique world designed for unknown reasons to hold the afterlife of all humans who died before sometime in the 21st century. The world was one Mississippi sized river bordered by mountains that wrapped around the entire planet in a loop. Along its shores everyone who had ever been born got to live again. The first and best novel in the series centered on Samuel Clemens (Mark Twain) and his quest to build a great steam powered riverboat that could circumnavigate the planet in a goal to find out why Riverworld existed and what the motives of its creators were. Along the way he had to work with evil King John (out of Robin Hood) and he read about the journeys of Richard Burton who was able to explore the world and find its headwaters. Larry Niven wanted to invent a world, so he took a blue ribbon, laid it on its side and stuck a candle in the middle. Then he expanded the world into his famous Ringworld and the candle at its center became a small sun. One DM I knew invested heavily in Judge’s Guild maps and modules and he strung them together side-by-side to create a ringworld for his home world. Which world will you build, how will it be unique, and what will it have in common with standard D&D worlds? 3) Choosing The Right World Your choice of a world and its shape should be determined by the kind of campaigns you want to run in it. In a massive world you can fit a whole lot of continents and civilizations, monsters, and everything else. But travel across this world would be a difficult deal, especially if you have to go a large distance. Remember that Teleport only has a 500 mile per level range. If you want a world were all the past people have come to life, then you can do Riverworld. If you want a huge world that is science fiction in origin you can create a ringworld. You could also do a torus (donut shaped) or one of Larry Niven’s early ideas: Diskworld. On Diskworld the sun is at the core the world is flat and there are huge mountains at the outer edge to hold in the atmosphere. As you go closer to the sun you had deserts and hotter people like magma men, as you got further from the center you got colder lands and arctic creatures. You had a huge area to adventure in and that was only counting one side of the world. If you wanted, you could make the outer planes on the flip side and the elemental planes as zones on the disk. Most people will want to stick to a standard spherical world. How will your campaign design shape your world? Do you want to bring back all the famous people of history, do you want a huge area to explore, do you want to have your players discover new lands or do you have something even bolder in mind? 4) What Makes Up A Spherical World? Most are plates of crust that sit on a molten core. These tectonic plates float on the sea of magma and move around. They may have started as Pangaea, but they have moved around before. Australia has been a past neighbor to India, South America used to be a neighbor to Africa and so on. Currently, the Pacific Ocean is shrinking, and the Atlantic Ocean is growing wider as the plates slowly drift. Half of California and the San Andres plate is shifting north and half of it is shifting south. If you have a world it is theorized that a dynamic ecosystem is due to volcanic action releasing heat and gases into the world which interacted with lightning to create the building blocks of life and went on to form life in the seas. Now it is true this is a theory, no one was around to witness the early earth so we can only make theories about it. This theory is one that is almost universally accepted by the scientific community, but it doesn’t have to be true for your world. Did your world have a more biblical creation by the god(s)? Did they get together and forge the planet out of their imagination? Or do your peoples just believe that? It is your world so you can do anything, and you can make any arguments about how it was formed. Is your world actually a liquid world with floating islands on it, or is it a huge gas world with floating continents moving around in the air cylinder (I once had a world like this and the natives used massive ships that would sail between floating continents). If you use tectonic plates then where they split oceans will form, where they clash mountains will form. Where they rub against each other earthquakes will happen, and where they are thin volcanoes will form. This action will be the major land and sea forming method on many worlds. 5) Water Runs Downhill This simple and obvious statement is how most of the Earth has been formed, but the action of wind, wave, and running water. Water carved the Grand Canyon and its action has weathered down the mountains. The lack of water causes deserts and where there is too much there are rainforests. Water will always try to flow to the sea and often it dives under the earth and comes to the surface as springs and the headwaters of a river. Both the mighty Columbia River and the Thames River start as small creeks and streams that come together to become a big river that runs to the sea. The Nile river is sourced in Victoria Lake and starts coming across some of the greatest falls in the world, Victoria Falls. It was a major expedition to reach the headwaters; you could plan a similar campaign for your group. Most life and civilizations occur where land meets water. Water is an inescapable need of every living creature (but not always of aberrations or outer planner creatures). Water also makes a great way to travel, you go slower by most river travel, but you can travel 24 hours a day, so you can go faster than if you travel on horseback, and both forms of travel are faster than walking. Bodies of water were early highways for civilization and spread limestone to Egypt, Portuguese merchants to as far away as China and Japan, allowed the colonization of Easter Island, Hawaii, and Australia, and the great English Empire was built on their mighty warships and trading fleet. How will the forces of magic and nature shape your world? 6) Similarities Among Worlds Most fantasy worlds will develop along similar lines. Most fantasy worlds work in a time period from Hellenistic Greek to Ancient Rome, to the Dark Ages, to the Middle Ages, to the Renaissance, to even the early Industrial Age. When will your time period for your world be set? Hellenistic Greeks and Ancient Rome had bronze plate mail, as steel wasn’t invented until centuries later. Centuries after that gunpowder was invented. When I ran an Ancient Roman World, glass was very rare, so potion vials were clay. On Pacific islands metal was not that common so clubs lined with shark teeth made great weapons. Different time periods and different locations had different technology. It took the Chinese to develop gunpowder. When they did, they used it in everything from life prolonging potions to fireworks. It took the more militant Europeans to develop guns. How would this affect the technology of your world and what equipment is available to the party? 7) The Flow Of History Why were the Europeans more militant and driven more to explore than the Chinese? A big part of it was their world view. The Chinese called themselves the Middle Kingdom. Once they had united their nation they were happy and didn’t see much of a reason to go out into the world exploring. The Warring States Period was when China tried to unite itself, often under different nations and by different rulers. Sun Tzu lived and wrote during this period and his book on tactics is still studied to this day. The Chinese fought to form one nation as did the Japanese. Over in Europe there were various tribes of barbarians and primitive people. Many of those people were, at one time, ruled from Rome. Rome was comprised of the literal descendants of the Ancient Greeks. In Europe the competing tribes of barbarians took over various lands and used their own language as a basis for those lands. That is why there are so many languages in Europe and their constant rivalry was a bitter issue. The European barbarians first held Rome to ransom and then sacked it. Most Roman statues had their heads cut off and disfigured by the Vandals. That is the root of the world Vandalism. When the Roman Empire fell the Vandals turned their savagery on other tribes and eventually founding Germany and the other nations of Europe. Europe was almost constantly locked in a war of some sort as the various rulers tried to take over or hold onto their lands. This constant competition became a source of great scientific development as well as great human horror like the Black Plague and the Crusades. These two forces had global consequences from trying to oust the Islamic from the Holy Lands to the rise of the middle class. The Islamic Revolution has its roots in the Crusades and the Black Plague finally made the labor of one skilled man valuable and those craftsmen were higher paid and became the merchants, skilled labors, and builders of strong economies. The biggest event in the Forgotten Realms was when the Gods walked the planet and some lost or gained their divinity during this time. The imprisoning of Rovaug, the crash of the spaceship Divinity and the death of the God of Humanity, Aroden were all major events in the development of Golarion. What forces were at work to shape the history of your world? 8) Populating Your World Now it is time to get down to the smaller scale; where are your various races sourced? Where do they live, where do they come from and where do they want to go? Are humans the most common race, as D&D assumes? Do dwarves come from an underground civilization, are the orcs their rivals and hated foes. Are there Drow in your world? With the light of the Elves should come the evil of the Drow as a counterbalance. What about the dwarves, do they duergar (evil slaver dwarves) exist? Is there an evil counterpart to the gnomes or just the good deep gnomes? Do you have halflings in your world or an evil counterpart to them? Races are the core foundation for civilization and the formation of countries, but humans are rarely allied just by race so often they work against each other, this keeps the humans from taking over from the other races or from exterminating them. Humans are more interested in killing off each other than other races. In Tolkien's world Halflings were jovial people who ate second breakfast and were isolationists. It is not that they didn’t like the biguns of the world, it is just that they thought they lived their lives too strangely, too fast, and with too much magic. Bilbo broke the mold when he became a thief and an adventurer. What are the races of your world and what are the forces; political, racial tensions, or the fight between good and evil that are at work in your world? Don’t feel you have to include a race just because it is in the handbooks and don’t feel that you can’t create an entirely new race just because you want to. What are the politics of your world? 9) What Adventures Are Available? Now that you have gotten down to this scale you can start to think about what you want your player characters to do. Will they form a hearty band of adventurers on a noble quest like the destruction of an evil relic or are they on the search to restore a kingdom? Or will your group be aimless adventurers gathered for no particular purpose, coming from no particular area, and only going on missions you send them on to kill monsters and get paid for it, by robbing their corpses? This creates a group of murder hobos; people who shiftlessly move around and get rich through petty crime sometimes verging on the felony. Now there is nothing wrong with doing this, if this is what your players want to do, but most DMs have a nobler quest in mind, if not in the vein of Tolkien, then something similar to it. If you create a fantasy world with a new land to be discovered, then you can have your players be either conquistadors or be members of the primitive tribes trying to fight the incoming Europeans. Will you have an Europe analog or a Oriental analog? Most of the character classes are drawn on European models, but monks with a flurry of blows, ninjas and samurai are from an Eastern world and if you don’t have that world represented in your setting, then you will disappoint those players who want to play those type of characters. Of course, the Bard and the Skald came from Scottish and Irish tales and heroes, yet we apply them to entire continents. There were monks in Europe, but they were far more scholarly than adventuring. The monks of the Shaolin Temples were both; keeping vast temples full of records from clay tablets to written books. They also adventured across China as righters of wrongs; dispensers of wisdom and justice. What type of campaigns you want to run will have a major influence in how your form that world, so how do you form your world? What goals will you have in mind for the party and for future parties? 10) Detailing The Histories A well developed world has history to it; that lends it gravitas, dignity and power. I know a DM who has had the same world for over 20 years, and he brings in changes made by players into each campaign. If you play with him in several games then you learn certain features of his world, what exists and where, and even some things you and get away with in certain areas. I have played in wide ranging games in his world from the pocket dimension to safeguard civilization to an exploration of the catacombs under a megalopolis, to the crushing of a slave uprising. He has a rich developed world with a lot of NPCs both weak and powerful and institutions that have a long history. There are parts of his world that are ignorant of other parts and even pockets that are near impossible to escape from. They use pocket dimensions to house the town’s population and feed and clothe them. Undead can become recognized citizens. There are a lot of unique factors in his world because of his development and because of what he has added to the world over the years that he has been playing. Golarion has a well developed history because a full team of writers have worked on it. There is an analog to Egypt, China even America. There is an evil empire, a lost world ruled by a demon ape, a crashed spaceship, a Norse analog, a barely restrained demonic invasion, and a crusade against it. There are a lot of factors going on in their world. In contrast Greyhawk had only a little development, because most of it was in mind of Gary Gygax and he didn’t want people to copy what he had done, but to do their own creative work. The Forgotten Worlds was mostly in the mind of Ed Greenwood and so there wasn’t a lot written about it without his approval or permission. He had a limited world because he had a small staff working on it; himself. He was using the world he had developed from his own game, and he just spread it to the larger world. Eberron and the Spelljammer universe were well developed, but aside from the Dragonlance chronicles little went on in the Dragonlance world. I have read about all these campaign worlds and more. When you build your world, you should take examples and inspirations from other worlds and use it in your own. You can take what you like, ignore what you don’t like, change things around, and be unique all on your own. Happy gaming and happy world building. Daniel Joseph Mello is active under that name on the Facebook d20prfsr.com and Pathfinder Gamemasters forum. Feel free to login to Facebook, on of these groups and drop him a line. He has been involved in D&D since 1981 and by the 5th game he was the DM. He has gamed in the Army, in college, and at conventions. He has written tournament level modules for gaming conventions and has been writing about D&D on Facebook for over 3 years. He is also a budding fantasy writer. Picture Reference: www.shutterstock.com  As I brought up in a previous article, to play around with the mechanics is to create the rules by which the game world is governed. Role-playing games are an attempt to simulate reality, but not actually the reality we live in. (What is there to simulate? Double-stuff Oreos already exist!!)
Role-playing games simulate the logic of the fictional worlds we see in books, movies, TV shows, and other media. One rule that applies in many of these fictional worlds is that when things get really tough, characters have a resource that they can tap so that they can succeed at their task. It may be called luck, fate, edge, hutzpah, moxie, karma, the goodwill of the audience, the matrix of leadership, or any variety of things; the character applies this resource at just the right time so that everyone can live happily ever after… if that’s your genre. There are a variety of ways that this is simulated in role-playing games. The great John Kim wrote an article to give a quick history of the origins of these mechanics. They are called something different in almost every game that uses them, but for simplicity’s sake I will be calling them luck resources. Luck resources vary between games, but generally they allow players somewhat greater agency by allowing them to reroll, modify dice rolls, and add or change story details. Some luck resources can only be used by the players, some by both the players and the gamemaster. They may sometimes be used before making a roll, afterward, or both. In spite of all these differences, however, I’ve identified the best luck resources as 1) simple to use, 2) providing effective agency (in quantity and quality), and 3) balanced so that they don’t break the game. Let’s start with the ugly: 1) Bad Karma: Marvel Superheroes (Ugly) I hate to beat on TSR’s Marvel Superheroes so much, because I’ve spent many a happy session playing Beast and any number of homebrewed superheroes; but the luck resource used in this game is broken. It is called Karma: characters earn Karma by doing good deeds, saving the day, and otherwise behaving heroically. Karma can then be spent on character advancement or to succeed on rolls. Spending Karma to succeed is where this becomes a luck resource. The difficulty, however is that you need to use the same resource pool for both advancement and luck. The mechanic is simple to use, but it fails to allow effective agency. I agree with John Kim in his above mentioned article; this mechanic generally leads players to either hoard their Karma to make their characters stronger, or to spend it all the time and leave their character weak. This creates a disparity between characters and bad feeling around the table about Karma spending, making for an ugly mechanic. 2) The Hand of Fate: Fate Core and Fate Accelerated Edition (Good) Can I write an article without talking about Fate? I admit my bias, this is my favourite game.That being said, this luck resource leaves just enough to be desired. It is based on Fate Points, which are integral to the game. Players begin each session with a certain number of Fate Points (usually 3), and they earn extra points when bad things inevitably happen to their character. Fate Points can be used to modify rolls before or after they are made, to re-roll, or to create story details, but with a catch; they can only be used to invoke different story elements, called aspects. Without going into great detail, what that means is that your character design will flavour the way ‘luck’ works in gameplay, which adds great storytelling value.The limitation I mentioned is in the value assigned by the mechanic. According to the basic rules (there are variations), a Fate Point is worth +2, no matter how perfectly or poorly it applies in a given situation. This makes the mechanic very simple to use, but at the cost of the quality of player agency. 3) The Bleeding Edge: Shadowrun (Hella Fun!) Say what you want about Shadowrun; in an entirely-subjective-not-measurable way, this is my favourite luck resource. Shadowrun uses a dice pool mechanic to resolve tests. Edge, a kind of luck mechanic, is treated like a character attribute - that means players can choose whether or not they want to have it during character creation. Very early on, I realized what it was and pretty much always bought it up as high as functionally possible. In a single session, you could call on Edge a number of times equal to your Edge attribute. You could call on it before or after your roll, with different effects. After the roll, you could re-roll or roll a few extra dice. If you use it before the roll, however, it would allow you to add a number of dice equal to your Edge score to your pool. Also, if invoked before the roll, sixes got re-rolled in a sweet exploding dice mechanic. All that just to say that five times a session, I was shaking a mitt-full of dice that meant the odds were most definitely in my favour! 4) Where Have All the Heroes Gone: Mutants & Masterminds (Bad) Now, to clarify, Hero Points is not actually a bad mechanic. It’s quite good. It does everything that you want a good luck resource to do. In writing this article, I just noticed that there’s only one luck resource I marked as bad, so I’m going to pick on the one flaw in this one. In Mutants and Masterminds, players get Hero Points that allow them to re-roll, modify a roll, and add or change story details, much like Fate. Players receive them for doing heroic things, like Marvel Superheroes, or for accepting complications built into your character concept, again like Fate. What’s the drawback? The problem is that even if you’ve earned points, the amount you have resets to just one at the beginning of every session. This weakens an otherwise powerful mechanic by limiting the quantity of times players can take agency. Just make a house rule to fix this one - it shouldn’t break the game. 5) A Muse of Fire: Dungeons and Dragons, Fifth Edition (Good) So simple, and so fun, the Inspiration mechanic from D&D 5E is the first luck resource for the WoC franchise that applies to all characters regardless of race or class. It is somewhat different from the others mentioned above. Instead of allowing players to reroll or modify a roll, it permits the player to invoke the ‘Advantage’ mechanic. This increases the odds of success (including critical success) by allowing the player to roll a second 20-sided die and choose the highest result. Like the Shadowrun mechanic, this improves the odds while still allowing for titanic failure when the dice gods demand it. Players may only have one point of inspiration at a time, which is somewhat limited… but borrowing the Advantage mechanic and allowing the resource to only affect dice rolls keeps the balance and just adds a layer of fun to the classic game. There are many other luck resources that I’ve heard of and read about: Savage Worlds’ ‘Bennies,’ Open d6 ‘Fate Points’ (not to be confused with Fate ‘Fate Points’ - stay with me), and many others. I’ve written about the ones that I’ve actually played; but from what I’ve read, the luck resources covered above represent most of them in functionality. All of them are intended to give a larger-than-life movie feeling to your game, and will hopefully help you to take your games to the next level!! Landrew is a full-time educator, part-time art enthusiast. He applies his background in literature and fine arts to his favourite hobby (role-playing games) because the market for a background in the Fine Arts is very limited. He writes this blog on company time under a pseudonym. Long live the Corporation! Tags: Dungeons and Dragons, d20, Marvel Superheroes, Fate Core, Fate Accelerated Edition, Shadowrun, Game Design http://www.darkshire.net/jhkim/rpg/systemdesign/heropoints.html http://www.highlevelgames.ca/blog/5-good-bad-and-ugly-dice-mechanics  Since before the first Monster Manual, dragons were designed to be the ubiquitous challenge of D&D. They were in the name, after all. So it was only natural that Ravenloft, a setting where dragons were scarce and the iconic critter was the bloodsucking vampire, introduced vampire subspecies and age categories. Vampires were the new dragons: iconic foes with sufficient variety so that the DM could scale them to be a challenge for a party of any level. Subsequent editions added vampire spawn and templates for the same reason.
But Ravenloft is also about foes with backstory, which doesn't always match up with traditional scaling methods. Suppose you want your 3rd level party to fight a vampire, but Joe Peasant (as a spawn) doesn't fit the bill? What if your PC pick a fight against a known vampire that would normally be too powerful for them? What if a later story demands a reasonable excuse for how they ran afoul of a centuries-old nosferatu and lived to tell the tale? When dealing with an imbalance of power, it pays to know your classics, and this concept has been written about for centuries. "The Art of War" states that when waging war against a more powerful foe, it is critical that you control the time and the place of the fight, and wait for the right moment. Sun Tsu may not have been a gamer, but when it comes to vampires, it turns out he was especially accurate: vampires have special weaknesses when it comes to timing and placement. If your PC's are below the level where they might survive a standard toe-to-toe, consider giving them one of these forms of good luck. 1) Let Sleeping Vamps Lie As Jander Sunstar said to Strahd Von Zarovich, "One peasant with a planting stick is more than a match for you during the day." It's a classic trope of vampire hunts for the PC's to explore the crypt while the sun shines, facing traps and tricks and guardians only to find the creature's resting place as the sun is setting. It's no crime against narrative to allow low-level PC's to face fewer traps and guardians and actually get there in time to stake the monster in the coffin. Or you might reverse the idea, letting them stumble into the creature's path just after midnight when it is active, and let them figure out ways to stall and hide and evade until they run out of options...and are rescued by the rising sun. 2) Burning Daylight Of course, the other think about daylight is, well, the light. Apart from nosferatu, who merely lose their supernatural powers, sunlight destroys vampires more effectively than anything, and they know it. Even a first level party stands a decent chance of surviving if the creature has been forced to take shelter in the shadow of a tall tree or tower at noonday. Forced to forgo sleep to keep moving, only a narrow band of shadow between it and oblivion as the day marches on, it could tear to pieces anyone who comes too close, but a low-level party that avoids eye contact might engage in a prolonged battle of wits that gives new meaning to "burning daylight." 3) Location, Location, Location While some vampires may tolerate the sunlight for a brief time to escape the PC's, hardly any can ignore the restriction on entering residences uninvited. According to Van Richten's Guide to vampires, only those who normally reside in a place can issue a proper invitation. To give a first level group a strategic advantage against a vampire, let them encounter it seeking entrance to a place where they are guests. Not knowing who is a resident, the creature dominates a PC or NPC guest for an invitation, but still cannot enter. The rest of the party figures out there is something unusual going on as the dominated PC tries to secure an invitation from an actual resident, with the vampire pacing on the doorstep in frustration. The party will get a good challenge out of fighting the dominated character (and perhaps some summoned animals) before the creature moves on to easier pickings. 4) Death Takes a Holiday Restricted as they are by their requirements for blood and sleep, vampires are not prone to travel. Those who undertake a long journey must bring their coffins with them, and those without loyal quislings to haul them in a wagon frequently find themselves stowed in the hold of a boat. This is not in itself a violation of the prohibition against crossing running water...but the creature cannot leave the boat except to set foot on land. This is easily compounded by the above restrictions on sleep, sunlight and invitations: passenger staterooms are not separate residences, but crew quarters are. If passengers are few, a vampire might be forced to choose between gaining a new invitation every night so it can shallow feed, or risk arousing suspicion by feeding from the same people twice. Count Dracula himself was forced to depopulate the entire crew of a ship one by one to make the journey to England. If only one of those crew had knowledge of vampires, and could explain to the others how to hold them off, that ocean voyage might have ended much differently. ++++++++++++++++++++ So that’s four ways your low-level PC’s might gain the upper hand against a vampire, but then what? If the creature escapes, it will surely have a long memory of its defeat, and it will never allow itself to be caught in such circumstances again. If the PC’s managed to destroy it for good, it may have had a mate, sire or spawn that would likewise hold a grudge. Allow the PC’s their moment to lick their wounds and pat themselves on the back, but they had better not count on luck next time. Luck is a fickle ally, and you never know when the forces that tipped the scales for you might side with the monsters instead. Matthew Barrett has been playing and writing for Ravenloft for over twenty years, starting with the Kargatane's Book of S series (as Leyshon Campbell). He married his wife on Friday the 13th after proposing to her on Halloween. By tradition, the first story read at birth to each of their three children was The Barker’s Tour, from Ravenloft’s “Carnival” supplement. He is currently working on a Ravenloft-based experiment in crowdsourced fiction using his “Inkubator” system at inkubator.miraheze.org. Image is from Ravenloft 3.5 and is titled Races of Ravenloft  At this point, I’m certain most of you have heard at least something about D&D Beyond. For those of you who don’t know, Wizards of the Coast, has teamed up with Curse Inc to make an official D&D companion app. Yes yes, you no longer have to sift through dozens of bug-ridden, shoddily made, festering crap mounds that call themselves “buddies” to your adventures. (Note: I too program! I know the struggles, don’t rag on me. I couldn’t do any better) Although, there are a few diamonds in the rough; one I’d like to point out is Squire 5e on the Google Play Store. The creator, who will remain nameless because he’s not a personal friend, has done a great job on making a free and easy to use character manager. Sorry to all you Apple patrons though, because all my hunting there has lead to mostly dead ends. Back on topic; people have been using apps and such to help with gaming for a long time now. It’s taken a long time for WotC to respond to this too. Hopefully, with all this prep-time they have something to show for it. (View the article they wrote and watch the promo here) 1) A Community This is one of the things that was a little more obscure in not only the promo, but even the release. Forums and private messages are a thing, you can interact with other users. From my experience it’s really difficult to find a community for us table-top gamers. I mean there's Amino… but… Amino. If you’ve delved into Amino you know what I’m talking about and if you haven’t, don’t. Roll 20 has something going for them, but it’s not really prominent. Actually now that I think about it, the way the community works is very similar to Roll 20’s, however, Beyond kind of advertises theirs more. As per the usual, there’s all the variety you’d expect from all the gaming community in one place. You’ve got art, strategies, ideas and all other kinds of things that really punctuate the expansiveness of our beautiful band of nerds. There’s grognards and a few people who are a little green, as it were. After going through those forums, it was almost eye opening as to how expansive our community is. 2) Payments Money! It's a crime, among other things. During my exploration of this topic, I noticed the word “cost” popping up more and more. Adam Bradford, the product lead for Curse, said a few things in a Reddit post (that I can’t link because I have the mental capacity of a cat (no offense to the Tabaxi)) that I’d like to quote here: “At launch, players will be able to access SRD content and build and view a small number of characters with a free D&D Beyond account. We don’t have exact pricing nailed down, but you will also be able to buy official digital D&D content… with flexible purchase options.” So translation: Get ready to pay for digital forms of the books and stuff you probably already have. If that has deterred you, then you’re probably going to slam your head against a wall when I say that they also plan to have a monthly subscription. Whew! I heard that slam through both space and time, and boy, was it loud. I assume most the readers are in unanimous agreement that this is a bad idea. Bad is an understatement, it’s an abysmal idea. To my understanding this was the main reason the last app crashed and burned worse than my last date. *Warning rant ahead. Jarod’s nonexistent pay has yet again been reduced.* Come on, WotC, does anyone there have even a lick of sense? This is already one of the most expensive hobbies to have and now you’re just tossing on costs to have access to basic content for an app that should’ve been made years ago. They’re breaking this up into “class specific” purchases. From the same Reddit post, “If you only play fighters for example, you’ll be able to just pick up the stuff you need to track swinging that giant two-handed sword.” Then he went on to say it wasn’t a microtransaction model. Really? Certainly feels like a microtransaction model. Certainly looks like a microtransaction model. I’m sure my wallet will agree once I have to punch in my debit or credit info as I willingly watch them rob me. Willingly. Watch. Maybe I’m wrong. Maybe it’s for easy and flexible content. Bradford even said it was for flexibility. However, we’ve been burned before, and this has the potential to not just burn us but to completely incinerate us. Why not just include some sort of product code in the book that you buy? That would make things easy. One purchase for both mediums. Don’t even get me started on that absurd subscription. 3) Character Sheets To make things a little lighter, let’s talk about something they’ve made abundantly clear: Character sheets. They haven’t released phase 2 of the beta at the time of me writing this, but if I have the misfortune of having this posted on the day that’s released please A). Forgive me and B). Cast my corpse into the Abyss because that would drive me insane. Keeping track of characters is often not only a hassle but a danger. Many of my characters have died to a cool glass of coke as I am both clumsy and careless. Maybe that’s just me, but I know characters who have died to wind, cats, coffee, cigarettes and even in one case to a rather upset wife with a paper shredder. Obviously, computers, laptops, and other electronic devices aren’t fit to fit in a paper shredder. Even if they were, the cloud would come to the rescue. All I can pray for is smooth, comfortable and stylish interface. I don’t really have to justify my bare minimum expectations for some aesthetics do I? Practicality would be nice too, but seeing their pricing model pretty much shows they didn’t have practicality in mind here. *sigh* I’ll reign in the anger. From looking at the teaser a bit closer, we can see that there will be several tabs for each respective character. Abilities,Skills, Attacks, Spells and one more that only said “Limited.” Perhaps for limited use items such as potions or scrolls. Maybe there will be limited edition content you have to freaking pay for. Deep breaths, in… and out... 4) Smooth, Sexy, Sleek, And Sweet DMing If there’s one thing that Beyond nails, it’s what it was meant to nail; being an effective, quick tool for DMing. The quick access to and use of the SRD info is beautiful, swift and useful. Not to mention, it has that 5e feel that I’ve personally come to know and love. Really, everything on there is just instant, at the fingertips. Little to no paging through the books and forcing yourself to memorize page numbers. No more accidentally ripping your page in the $50 book and then wanting to join a cult to Orcus and start sacrificing the innocent to gather the necessary unholy power to make it good as new. Honestly, D&D Beyond has so much potential it’s astonishing. The open beta is simple but elegant. However, this other knowledge taints that wonderful world where I don’t need to dump more money into this *Censored* hobby. But, I’m not going to yell at WotC anymore;I’m simply going to beg them to not repeat the same mistakes over and over again for all eternity. Image Source Jarod Lalonde is a young role-player and writer whose passion for both lead him here. He’s often sarcastic and has a +5 to insult. Dungeons and Dragons is his favorite platform. Although he’s not quite sure if it’s Call of Cthulhu whispering to him in the small hours of the night, or just persistent flashbacks to the Far Realm.  Role-playing games are the best thing since sliced ogre for you, your kids, and your grandma... but there is one particular happiness that can be gained from them that is not for everyone. Only the select few, those of us with refined palates, the nerds among nerds who would appreciate the emphatically overdrawn syntax of this sentence ever learn to enjoy it. It is enjoyed by such brilliant minds as the Matt from Herding Dice, John Kim, and other masters of mechanics. This is the joy of the hacking the rules themselves.
To play around with the mechanics is to create the rules by which the game world is governed; it is a creative process in some ways more fundamental than playing a role. The core of all role-playing games is that they simulate a reality in which people can enjoy playing characters. Game designers have found many different ways to simulate the limitations of reality while allowing characters to have autonomy, each game striking a balance between a sense of realism with a sense of fun. Each design has a different flavour; there are so many games out there now that you can truly order them to taste. There are many mechanics that form a game. This article’s focus is on dice mechanics, what makes them good, exciting, clunky, or weird. Dice mechanics are good when they 1) create tension (there’s a variety of possible outcomes), 2) are somewhat realistic, and 3) are simple. If you have any favourite dice mechanics, please let me know in the comments! I’m always looking for interesting game systems. 1) Meat and Potatoes: d20 mechanics (Bad to Good!) Dungeons and Dragons, Pathfinder, and the d20 Open Game License are the staple of many a role-player’s diet. d20 mechanics have their high and low points. There are an exciting twenty possible outcomes for each roll, which usually include one opportunity for wild success or critical failure. These mechanics break down in the realism department because each outcome has an equal chance of happening. The rules change the probability of success by incorporating modifiers and changing target numbers, but no matter how weak or powerful your character, there’s still a 5% chance that you’ll either critically hit that dragon or fall flat on your face jumping over a log. These eventualities often seem out of place and ridiculous. Regarding simplicity, recent incarnations have improved considerably, most of them paring it down to just a 20-sided die, avoiding the need for excessive polyhedrons. The 5th Edition Dungeons and Dragons also introduced the idea of advantage and disadvantage, which improves the believability of the outcomes by giving players a pool of two 20-sided dice to choose from. 2) All Had The Graph Of Power! Marvel Superheroes (Bad to Ugly!) One dice mechanic that has always intrigued me is the one designed for TSR’s Marvel Superheroes. It features very simple resolution: every action is resolved by a percentile dice roll combined with consulting a chart. It accounts for the huge disparity of power in the Marvel Universe by having each character roll under the assigned level of their power for different effects. As interesting as it is, however, the reality it creates is a broken one where failure is frequent. This means Colossus may have difficulty pinning a starving serf to the ground, and Aunt May can knock Spider-Man out cold. There are some mechanics that work to mitigate this kind of thing, but they aren’t powerful enough to avoid frequent absurd power upsets. Wild successes and failures are defined by the chart. Oddly, if you put together the chance of a wild success or a critical failure, depending on the action you’re taking, it is frequently more likely to knock it out of the park or to fail epically than it is just to succeed. Again, this undermines the sense of realism in the game. 3) One Roll To Rule Them All: Fate Core & Fate Accelerated Edition (Best!) Featuring a robust mechanic based on the earlier FUDGE system, the Fate systems are two of my favourites. Players simply resolve all actions using a small pool of four FUDGE/Fate dice, which are 6-sided dice that supply outcomes between -4 and +4. There are fewer outcomes possible with this type of roll, but the outcomes follow a curve. The curve makes wild success and failures possible, but more rare, lending a sense of realism. There are also other mechanics that enable characters to succeed where they otherwise may not, and scale mechanics that allow this single dice roll to resolve conflicts on any scale. In combination, this creates a dice mechanic that simulates realistic outcomes, while providing the creative freedom of a truly universal system and enough tension to make victory sweet. 4) Welcome To The Desert Of The Real: Shadowrun (Good to Ugly!) There will always be a soft spot in my cold gamemaster heart for this game, though I don’t play it much anymore. In principle, the resolution mechanic is fairly simple; a combination of skills and gear provide characters a pool of 6-sided dice they use to resolve opposed, unopposed, and extended actions. The bigger the dice pool, the greater a character’s chances of success or wild success. Dice pools by nature allow somewhat more realistic outcomes, and the core mechanic is really quite simple. There are so many additional rules, however, that gameplay tends to bog down in the simulation. Almost every piece of gear, skill, and action has a specific rule that is perfectly logical and lends to a sense of realism for the game. But, frequently, the complexity takes players out of the game too much for them to enjoy the sense of immersion that so rich a game world deserves. Also, rolling upwards of twenty dice is both super fun and more than a bit ridiculous. 5) ...And Four Stunt Points! Fantasy AGE (Good!) This dice mechanic is a hybrid of early d20 mechanics and the Fate system. It uses a small pool of three 6-sided dice to resolve actions with a single type of roll. Outcomes range from 3 to 18, again making them feel realistic. An object of study for Matt from Herding Dice, it also features some super entertaining tricks. When players roll doubles, they gain a certain number of points with which to buy stunts – which are cool things their character can do. This means that wild successes are not limited to high rolls (though high rolls help). While it does not cover the same scope as Fate, it is nevertheless a very enjoyable resolution mechanic. These are only some of the highs and lows that players may encounter using different dice mechanics. Of course, this article doesn’t consider all the different mechanics that exist, and doesn’t even touch other forms of resolution. If you’re still reading, you’re probably of the ilk that will stay tuned for the forthcoming article about alternative resolution mechanics. See you there! Landrew is a full-time educator, part-time art enthusiast. He applies his background in literature and fine arts to his favourite hobby (role-playing games) because the market for a background in the Fine Arts is very limited. He writes this blog on company time under a pseudonym. Long live the Corporation!  Why am I comparing these two particular editions?
Simple story: I have had limited interaction with D&D from 3rd through 4th editions. But AD&D 2nd was my jam and 5th is a new friend. Less simple story: (TL;DR) I had a hiatus from regular gaming when my daughter was first born until she reached the age of 7. As a full-time student and then worker, my hours with her were interrupted often and were few and far between, and so I decided to spend more quality time with her. During those years, I missed a few things in the cultural gaming sphere. One of the behemoths I played regularly BC (Before Child) was the much-moduled AD&D 2nd Edition. I was quite familiar with most of the classes and some of the races that I could work with. My grognard husband was slow to tune into the 3rd edition (though was happier with 3.5 when it showed up in 2003) and so I had limited experience with either. My jump back into gaming post-child was GMing a 4th edition Dungeons and Dragons starter module for a group of largely brand-new gamers. It was my first and last foray into 4th. We parted on friendly terms. But now I am back in routine with a weekly game, as last year I was won over by the changes in 5th, but none-so-much as the improvement on the Ranger class. 1) Requirements Schmirements Honestly, I still have a love of the ability requirements that made 2nd edition character classes very focused on being good at certain things. But having minimums in Strength and Dexterity (13) and Constitution and Wisdom (14) could result in different table-rules being enacted.
Not only can the requirements be tough to get, but it limits the broad range of abilities that this character could have. Maybe there is a Ranger who has always been great from afar, flinging arrows without enemies knowing what is coming. Do they also have to be strong, hardy, and wise as well? I would argue that it is not necessary. 2) More Balanced The Ranger in 2nd Edition seems to have been a favoured class of Min/Maxers from near and far. I played in more than one group where I have seen that personality coupled with that class. The Ranger’s ability at first level to double their attacks with two handed weapon style with no penalty and a +4 for attack rolls on favoured enemies made a ton of people that really just wanted to be a Fighter choose the Ranger class instead. In order for a Fighter to even have the chance to come close to matching that, they needed to look in extra books for fighting styles and choose ambidexterity as a trait so they could wield those two weapons. And favoured enemy for the fighter? Not a chance. The only thing they could do is get really mad at some orcs. Those who wanted to game the system as much as they could had it in spades with the Ranger in 2nd. In 5th, they seemed to have figured out how to make the all classes both varied and less gameable. They rightly brought in new abilities and choices near the beginning of the levels for each class that presents not only the ability to do cool shit, but the opportunity for fleshing out characters. In 5th ed. at 2nd level, the Ranger can choose their favoured fighting style (and yes, two handed is still an option) that works with their back story, their world, and their physical prowess. Looking at archery, defence, dueling, two weapon fighting, or close-quarter shooter, there is a great variety of style without being too dominant over other classes or overly detailed and cumbersome (I am looking at you Palladium Fantasy RPG.) 3) More Logical Progression Along with the choice early on for fighting style in 5th edition, there are also the beginnings of other Ranger benefits that are acquired early on. Favoured terrain provides bonuses for everything you do in that area, including helping out your group as they traverse the woods/prairies/mountains/candyland with you. For 5th, your favoured enemy is not just how angry you get at them or how well you can hit them (thanks 2nd.). Now you know much more about that enemy such as their customs, how to track them, and even an ability to speak to them in one of their own languages. This is so much more beneficial than the “Hulk rage” approach earlier in D&D. They also introduce Ranger spells immediately into the character class. Rangers innately have this ability to use magic in a way that makes sense for their environment. They also have their own compendium of Ranger Spells to choose from instead of glomming onto selected Priest spells like they do in 2nd. In the earlier incarnation of spell casting, for some reason the Ranger hits 8th level and knows some priest spells. In the Player’s Handbook, there is no explanation for this effect. (Though with the multitude of books written for AD&D 2nd, I am sure it has to be explained somewhere.) It seems disjointed and out of nowhere. And this is not the only ability that seemingly comes from left field. At 10th level, there are 2d6 followers of no particular race or species that start to show up. I won’t get into the theory behind this one, but I do think a more consistent progression makes more sense when playing a character. 4) Archetypes Archetypes may be my favourite part of 5th Edition Dungeons and Dragons. As each class reaches 3rd level, they are confronted with a choice in path for their character to take. With a Ranger they receive a choice between the Hunter Archetype or the Beast Master Archetype. Your Hunter knows the reality of their situation well. They are able to best defend and attack those who would threaten civilization. They are well aware of the wilderness, but they are not a wild animal. Their attacks are meant to strike blows specifically at their enemies. If you choose Beast Master, you are the bridge between the wild and the civilized. You are able to have a beast companion to help you keep your two worlds from completely colliding with disastrous effects. This animal companion will not only follow you, but will fight alongside you. Either pick at 3rd level further defines your role in the campaign, which is what I love. In the end, the 2nd edition Ranger just wasn’t built as clearly as 5th. But without the work done early on in Dungeons and Dragons, we wouldn’t have what we do today. Bravo, D&D, you have kept us coming back for more. For a general overview of how the editions rolled out see this wikipedia page. This article was written by Vanessa who is a sarcastic, 30-something wife and mother. She likes things and stuff, but not simultaneously. When she isn’t involved in things and stuff, she teaches middle school science, math, art, and other random subjects. She loves new teenagers in action. They make her laugh and shake her head and her world is much better with laughter. She thinks everyone should be roleplaying. She is also trying out this new twitter handle at @sarasma_nessa  Hello friend.
Thank you for your timely intervention on behalf of the people of Dowen-upon-Waite. Without your assistance, I doubt that there would have been anyone in the village remaining. None that could be called human, at any rate. I do wonder how such a cancer began. It's a shame that we weren't able to learn more. Amongst many philosophers, the subject of evil is an oft-discussed (or argued) one, but more often than not the kinds of malevolent secrets which you uncovered have their roots in something far more innocuous. Something benevolent, even useful, which carries so small a price as to be nearly negligible. These objects often set the stage for the gradual descent to a point where the once-noble aspirant finds himself waist deep in atrocities he would never have considered before embarking on his path of damnation. Having felt the malignant caress of the Dark Powers myself, I have made a careful study of the things that can lead to such darkness. Since you were inquisitive enough to contact me regarding the genesis of the most recent problem, I thought I would share a few of my own private notes with you in the hopes that you might see how these sorts of tumors begin to grow. 1) Wine of Ages My compatriots and I recovered this particular item from a tomb we cleansed of undead in the mountains of Lamordia. To the eye, it is merely a mundane bottle of green glass, with a name imprinted upon the bottom: Herzhen Yards. There is no such vineyard that we were ever able to uncover, although the tomb appeared to be of Outlander origin, and its plundered contents appeared to come from a range of different cultures. This unassuming little malignance was stolen from me by a Rajian thief, and I have not seen either since. The bottle is empty, save for an ashen grey haze that can be poured forth from the neck as though it were a true liquid. This vapor, which carries the odor of gently rotting loam, is harmless to the living. If poured into the mouth of the deceased, it grants the corpse the ability to converse with the living, albeit in a limited fashion. Please note that although this ability seems mundane, it is an abomination. It encourages a callous disregard for the dead, driving the user to treat corpses as mere investigative tools, and leads its wielder to see nothing wrong with compelling the spirit (or a semblance thereof) back to the realm of the living for mere convenience. The Wine of Ages allows its bearer to converse with a humanoid or monstrous humanoid corpse up to three times per day. Each corpse may be conversed with only once, but the condition of the body is irrelevant--it can still speak even if rot or injury would normally make it incapable. The effect lasts for up to one minute per HD of the dead body. The spirit is much less committed than they were in life (shift alignment one step towards N), but can still make a saving throw (Will DC 17, Wis DC 15) in order to lie freely. Using the Wine of Ages is cause for a 3% Dark Powers check. 2) Oubliette Dust This nasty little alchemical concoction is a creation of the Kargatane, I believe. I was unfortunate enough to discover it while attempting to apprehend several spies that had infiltrated Drifthome. One of the thieves, when confronted, threw a black powder in my face. I was immediately reminded of the last time I had smelt such a powder: when I was the 'guest' of the Kargat, tortured repeatedly for several weeks. So horrific were the memories, I was unable to prevent the thieves from fleeing. As my daughter was good enough to remind me later, after I had recovered, I have never been tortured by the Kargat. The memories induced by the dust are merely lies. Still, their effects linger, and I often find myself waking in the middle from dreams of Darkonian dungeons. Those who sell the Oubliette Dust market it as a 'stunning powder,' and indeed it does exactly that. However, the memories it 'awakens' are so horrific and they stay with the victim for weeks, even months, after the fact. Oubliette Powder can be thrown in a cloud at any victim within 5 feet. If the victim fails their save (Fort DC 17, Con DC 15) they are unable to act for 2d6 rounds. If they are attacked this effect breaks immediately. The terror on the victims' faces is self-evident; using the powder is cause for a 1% Dark Powers check. This rises to 3% if the user knows the full extent of the trauma they are inflicting on their enemy. 3) Granny Lady Bracelet Last year, a cult of witches was uncovered in the Mordentish countryside. Although a great deal of their magical prowess was merely smoke and mirrors, they did possess a number of unnatural abilities that Tasha and I were forced to contend with. Most infuriatingly, their leader seemed to be able to anticipate our arrival, and it was only through the utmost diligence that we were able to confront her. One of her magical talismans was what the Souragne practitioners refer to as a gris-gris. A small, twisted length of sinew and hair, strung with a variety of horrific trophies, including finger bones, teeth, and dried flesh, and is typically worn around the wrist. Tasha wore the talisman for several weeks, and reported that it gave her brief glimpses into the future, but after reading through the granny lady's journal, I became convinced that inheriting the device from her own mentor is what began the corruption of the witch that had plagued us, and I convinced Tasha to put the device aside for her own good. Currently, the foul thing resides in a locked trunk in my safe room. Anyone wearing the Granny Lady Bracelet may roll 2d20 at the beginning of the day. During the course of the day, they may replace any d20 roll (theirs or anyone within line of sight) with one of the Bracelet's rolls. This does not stack with the ability of a Divination specialist, instead they receive one extra d20 for their Portent ability. Using the Granny Lady Bracelet is sufficient cause for a 1% Dark Powers check every week it is owned. 4) Breathstealer Arrow I encountered this device on an assassin from Tepest.The Inquisitor I worked with to apprehend the fiend claimed this weapon was a gift to the killer, in recompense for selling his services to the fae. Although I am normally loathe to heed their dogmatic fanaticism, in this case there may be a seed of truth to it. In truth, the magical component is a stone arrowhead, which can be affixed to any mundane bolt or arrow. Once it hits its target, it breaks loose and begins twisting its way towards the target's lungs, causing the poor soul to choke and gasp as their air is magically expelled from their body. If it isn't cut out swiftly (a supremely difficult task, I can attest, since the infernal thing avoids all attempts at capture) it will eventually kill its victim, even if the original user is dead. Inquisitor Cormec took the cursed thing with him after we apprehended the murderer, although I spared the assassin the cruelty of a Tepestani imprisonment and execution. I sat in judgment over him myself, and I'm sure he found the noose far less painful than whatever Cormec had in store for him. A target hit with a Breathstealer Arrow cannot breathe. (This means they cannot speak, cast spells, or activate command words.) Beginning in the round they are hit, the victim suffers the normal effects of suffocation (treat the victim as if they had already held their breath the maximum length of time). It can be removed with a Heal check (DC 20), causing 1d4 damage for every round it was embedded. Using such an arrow is an act of torture, invoking a 4% Dark Powers check when used against a monster or evil NPC, 7% if used against a stranger or neutral NPC, and an automatic failure if used against a good NPC or friend. The arrowhead can be recovered after the target's death, and can be removed by the firer with no check. 5) Witchbane Codex When several Halan witches in and around my area were found murdered, I at first suspected the presence of a rogue Tepestani inquisitor. Although there was a man involved who used such a title, he was an Outlander. After his capture (or defiant last stand, in truth), this slim volume was discovered on his person. It appears to be written in Tepestani, although it contains far more arcane knowledge than the Inquisition would be comfortable committing to paper. Inside, there is detailed information on common practices, rites, beliefs, and identifying traits of witches and infernal cults. After reading it, I found myself revolted by the unnatural lore contained within. Although Tasha has asked to read it, I have sent the book to my friend Kelly, as he has proven more than capable of resisting the temptations of such arcana. Reading the Witchbane Codex (which takes six hours) immediately costs the reader a point of Wisdom (which can never be recovered) but imbues them with an additional point of Intelligence. While the book is in their possession, they may consult it to gain a +2 on any appropriate skill check (such as Arcana, Religion, Knowledge: Arcana, or Knowledge: Religion). Even lightly reading the book instantly causes the user to make a Sanity check, if those rules are being used, and also causes the loss of Innocence. Completing the book is cause for a 2% Dark Powers check. The user should also be assessed for a 1% Dark Powers check for every month they have the book in their possession. Willingly giving it to another person to read is cause for a 5% Dark Powers check, 10% if they are unaware of the nature of the book, and is an automatic failure if they are an Innocent. In Summation As you can see, the road to Hell can indeed be paved with the most innocuous of cobbles. The wise adventurer would do well to resist such temptations. Too often, what appears to merely offer power or expediency comes at the cost of our very soul. Should you find such a wicked item among your travels, do not hesitate to contact me if you wish assistance in confining or destroying it. Your actions have spoken volumes for your righteousness, and I consider myself Your Friend, Joram Mournesworth, Lord Mayor of Drifthome Jim Stearns is a deranged hermit from the swamps of Southern Illinois. In addition to writing for the Black Library, he puts pen to paper for High Level Games and Keep on the Heathlands. His mad scribblings can frequently be found in Quoth the Raven, as well as anthologies like Fitting In or Selfies from the End of the World, by Mad Scientist Journal. Follow him on Twitter @jcstearnswriter.  Jonas undressed for bed as normal that evening when something caught his eye. He had his share of tattoos like any old sailor, but never one on his inner thigh! He wanted to chalk it up to last week's drunken blackout...but it was at least a year old! It was a single word, written in Draconic. He read it aloud without thinking, then felt an icy chill slide up his spine as he tried to remember, when had he ever learned Draconic? He had only a moment to wonder about that before a disembodied voice cut through the silence of his bedroom.
"Keep it together, old man--just go look in Mina's bank." His heart hammering into his throat, he cast his eyes around, called for the speaker to show themselves, but he remained alone. Seizing the lamp, he crept into the kitchen, cursing himself a fool for fearing the darkness of his own house. When Mina was alive, she kept her own private stash of coin in a hanging planter out the back window, said she was "growing money." He pulled down the oilskin bag he had not seen in eleven years, which now contained not a handful of coins, but a small book. By the flickering light of his lamp, Jonas opened it to see his own handwriting, in more Draconic, that language he could not recall learning: "If you don’t remember writing this, your memory has been altered...." Memento Mori was one of those ideas that outgrew its original inspiration and just kept growing. It didn't take me long after inventing the basic origins of this secret society to realize that people who held the mind as inviolate would take up arms against any darklord, demon, creature or caster who could read or control thoughts. But even better than a wide variety of targets, Memento Mori were great game fodder because many were zealots who saw mind control as tantamount to murder, reading thoughts a form of rape. This pushed them to extreme risks, forced even the poorest of them to pursue clever defenses against imagined attacks out of sheer single mindedness. 1- Earworms: Filling your thoughts with an annoying song can give a mind-reader an earful, but forcefully thinking of a song makes simultaneous actions difficult (-4 to all verbal skill checks, treat as if concentrating on a spell). If you want to get anything else done, the truly desperate might deliberately allow a song to get stuck in their head, in whatever part of the brain keeps such “earworms” repeating ad nauseum. After repeated exposure to a song on and off over several days, failing a single Will save results in an earworm (because it’s already involuntary, this save can’t be deliberately failed). When someone with an earworm is subjected to mind reading, they make a second Will save using the Perform check of the original artist, to see if the song appears in the surface thoughts. The results of the two saves are independent, so that the mind reader might hear the song, the surface thoughts, both mixed together, or neither. 2- Journals: When asked for personal details to confirm their identity, a doppelganger normally reads the correct answer in surface thoughts. Instead, corner the suspect with a copy of their own journal, and read aloud to the end of a recent page. Assuming they are not too nervous about the crossbow at their throat, the original author should be able to recall what they wrote next, while a doppelganger won’t find the words in any of the surrounding minds. Once the suspect has given an answer, turn the page, read aloud, and do what must be done…. Journals are also very convenient if something has removed or altered your memories, but taking full advantage requires building the habit of writing long before your mind is wiped, and the means of reminding yourself if something removes your memory of the journal itself. It takes dedication to commit to a detailed daily journal, but anyone up against something that alters memories had better build this habit fast. 3- Herbalism: One of the tried-and-true low-tech resources is to take advantage of natural wonders, whether it’s inquisitors using wichtingourds or dreamwalkers using dreamweavers. Memento Mori found one of their best resources in herbalism, cultivating the churchsteeple plant for its root. The plant’s powers were first catalogued by Van Richten in Dragon Magazine #273, (“Wicked Garden”), where one of the suggested game effects is that the fresh root duplicates the effect of a protection from evil spell. This is only a minor bonus in combat, but it also suspends all manner of possession and mind control for the duration of the spell. In addition to using the root to protect themselves and their allies, it’s also a favorite of “string cutter” cells in Dementlieu--Memento Mori anarchists who specialize in fighting against the great puppeteers. Fresh churchsteeple root added to bouquets and boutonnieres at a formal social gathering could result in some amount of discomfiture for those suddenly thrust into freedom, and a lot of valuable information for those who note their reactions. 4- Hypnosis: Frequent mind readers remain suspicious of anyone who appears resistant to their talents--or worse, immune. That’s why members of Memento Mori disguise each other’s thoughts using a variation of the hypnosis skill. Under hypnosis, the subject is instructed to think of a particular topic in the using an extended allegory. This works especially well when Memento Mori cell meetings are disguised as book clubs, gardening guilds, private tea parties or other innocuous gatherings. The subject knows the truth and could speak freely if they choose to, but their surface thoughts would only refer to these topics in these allegorical terms. Unlike an earworm, hypnosis only provides a backup saving throw when the subject fails their main save. Success means that even though the subject’s thoughts can be read, the chosen topic is disguised. Failing by less than 5 means the disguised thoughts are inconsistent or paradoxical (i.e. “The sewing circle ladies said crocheting works on vampires”). Failing by 5 or more means the mind-reader knows the actual content of the surface thoughts. The second save also applies to interrogation under other forms of mind control, with failure meaning the subject can only speak about the topic in allegorical terms. 5- Lead Headgear...and More: If you need any further proof of the fanaticism of Memento Mori, ask yourself: what kind of person would risk losing their mind to lead poisoning, just to prevent someone else from having a peek inside it? When facing mind-reading foes in melee combat, members of Memento Mori frequently wear headgear coated with layers of lead enamel*. This is an excellent defense against mental intrusion, but every four hours wearing one provokes a save against lead poisoning, as the enamel breaks down in contact with sweat and the lead is absorbed by the skin. For a truly nuclear option, an alchemical solution of chemically neutralized “chelated” lead* turns the bloodstream into the ultimate barrier against mental intrusion, but any error in the alchemy check results in a toxic dose of lead that can do significant brain damage. ++++ While I personally based Memento Mori in Blaustein with origins in Bluebeard’s memory-altering decrees, the idea of a cult or secret society that sees the mind as inviolate can translate into any game that has such powers. If your PC's are fighting a vampire with a captivating gaze, a ghost with a penchant for possession, an alien shapeshifter who can read thoughts, or a mad supervillain who manipulates minds, they might find some interesting allies at the the crossroads of fanaticism and resourcefulness. But of course, you'll have to break out the Diplomacy and get to know them the old fashioned way, because if you try any other kind of Charm, you may wind up added to their long list of enemies.... * Rules for leaded barrel helms, helmets and potions are given in the Van Richten Society Notes on the Doppelganger, a netbook hosted by the Fraternity of Shadows. Matthew Barrett has been playing and writing for Ravenloft for over twenty years, starting with the Kargatane's Book of S series (as Leyshon Campbell). He married his wife on Friday the 13th after proposing to her on Halloween. By tradition, the first story read at birth to each of their three children was The Barker’s Tour, from Ravenloft’s “Carnival” supplement. He is currently working on a Ravenloft-based experiment in crowdsourced fiction using his “Inkubator” system at inkubator.miraheze.org.  “Your sword is gone.”
“WHAT?!?! What do you mean??” “It doesn’t exist anymore. You have no sword.” “But that was my +5 family heirloom sword! It cost me 50,000 GP and we spent four months in real time on a side quest to get it!!” “...and you put it in an annihilation portal trap. Tough.” “Don’t I get a saving throw?!? Or something??” WARNING! All of the mechanics I mention below are risky. This does not mean any of them are forbidden, nor even bad. Some of them are actually quite common. They are risky in the sense that they threaten to take the fun out of the game for some players. I wrote an article about some rewards that role-playing gamers want to get from their games, then another about some of the games that do a good job of providing these rewards. Now it’s time to talk about the games that will ruin your fun by taking these rewards away. Taking away or delaying game rewards means consequences for in-game actions start to affect the player as well as their character. Players often invest a lot of time and effort to get their characters to a particular stage, and these mechanics tend to negate that time and effort. To be fair, there is definitely an appropriate time to have your heirloom sword permanently removed, or for your character to die. Gamemasters and players often want to play a high-stakes game. Before you decide to apply a mechanic that could potentially undo or complicate the real-life work that players have put into the game you should talk about the risks, and decide as a group if having high-tension drama is worth suffering player-affecting consequences. I mention three joykill mechanics, but there are certainly more pit traps out there. If you think of any that I should have targeted, write them in the comments! I picked these three because they are typical of the worst reward-removing mechanics. Here is the list. 1. Bad Karma - TSR Marvel Super Heroes I’m really looking forward to playing Cyclops and being able to shoot around corners. Now, if I get karma every session and only spend half of it on having good rolls and don’t accidentally kill anyone or do anything out of character, I should be able to earn that stunt in…. oh, about two years of play time. The Marvel Super Heroes character advancement mechanic is a joykill. Which is a shame because I love the game! Character development is handled with Karma - save someone, beat the bad guy, or just do something awesome, and you receive Karma. Karma can be used to buy power stunts - cool things that your character can do with his/her powers. Brilliant! There are two problems with the Karma mechanic, though. The first is that Karma can also be used to buy successes in-game: to karate chop Magneto’s face or narrowly miss being mesmerized by Mysterio, spend Karma. This drains the resource that you would normally use for character advancement. The second problem; to successfully gain a power stunt, you need to succeed several times at different success levels; really cool, in theory. Unfortunately, in practice, it means that unless you have a prohibitive amount of Karma stored up in case you fail a roll, you could end up having wasted your Karma and starting back at square one. It’s important to separate character development resources (like Experience Points) and burnable assets in your game, because otherwise players risk burning up their hard work just so they don’t lose their character. 2. Dungeoneering Drain - Dungeons and Dragons “The vampire succeeds on a touch attack. You lose two levels.” “Noooo! I just got to level twelve! I really wanted to cast sixth-level spells!” “While you’re standing there, lamenting your fate, the vampire touches you again.” “Nooooooo!” There are more than three joykills in the grandaddy of all role-playing games (see the opening vignette about a 2nd edition AD&D scenario), though many of them have been ironed out in subsequent editions. Some of them persist. Try not to use them without warning the players. Rust Monsters: Given that new gear is one of the rewards that players who like Dungeons and Dragons crave, creating a monster whose sole purpose is to eat gear is risky. Whether gear is bought, found, or quested for, a rust monster can easily remove an irreplaceable reward from play. Experience Points for Effects: Just like with the bad Karma above, there are some mechanics in Dungeons and Dragons that require a player to spend the points they would normally use for character development to achieve certain effects (usually magical ones). This is done to maintain game balance; the effects that are bought with experience points are usually quite powerful. This is risky, though, because having a mage at 10th level when everyone else is at 12th can get tedious; character advancement is as rewarding as new gear, if not more. Level Drain: THE WORST!! Again, in a high-stakes game, level-draining creatures (often powerful undead) are specifically designed to hit the player where it hurts the most - in the experience points! Don’t pit yourselves against a vampire unless everyone is on board with the fact that they might lose a couple of levels before it’s all said and done… as if levels were the worst thing to lose. Which brings me to my next point: 3. The Ultimate Joykill - Character Death “I’m going to run across the rickety bridge that spans the chasm.” “Okay, roll for it.” “Natural one.” “Oh. Ouch. Um, make a reflex save.” “Uh… also one.” “Oh. Uh, I guess you fall screaming to your death.” “On the first day?” Something that is nearly invisible because it is assumed in most games, character death is a joykill mechanic. I may be opening myself to criticism, but I think allowing character death to be determined by the random rolling of dice is risky, and leads to a million absurdities from a storytelling perspective. What happens when your character’s goal was to deliver information vital to the success of a world-saving mission, and they get taken out by a couple of bandits who happened to roll really well? No, thank you. I applaud games like Mutants and Masterminds and Fate that deliberately remove character death from the mechanics. Characters can be ‘taken out:’ knocked out, captured, lost, or forgotten… but that just creates an interesting twist in the story. Fate takes it a step further, and allows players to decide when character death would be appropriate, thereby allowing the players and the GM, in conversation, to decide when to raise the stakes. It is essential to have conversations about when you are going to use high-stakes mechanics. High-tension drama is vital to role-playing games, and these mechanics can provide that when appropriate. Bust them out at the wrong time, though, and you will kill the fun for the players in your group. Landrew is a full-time educator, part-time art enthusiast. He applies his background in literature and fine arts to his favourite hobby (role-playing games) because the market for a background in the Fine Arts is very limited. He writes this blog on company time under a pseudonym. Long live the Corporation!  Rangers are one of the iconic fantasy archetypes, and they have been ever since we first noticed Strider sitting in the corner of the pub smoking his pipe. Though rangers get a variety of abilities, the one we always think of is favored enemy. And why wouldn't we? While the rest of the group is struggling against the undead minions of a necromancer, or the heavily armed orc warriors conducting local raids, the ranger is cutting through them like a scythe through chaff. And why not? A favored enemy bonus can often be what makes the difference between a challenging fight, and one that gets put down so hard it leaves a crater.
One thing we do too often, though, is turn our rangers into vengeance-driven murder machines. Because, while it's true that killing off a character's family simplifies their back story, provides motivation, and explains why they're so good at fighting a certain type of creature, not every ranger needs to be guided by revenge. Instead you might find your favored enemy bonuses come from... #1: Experience Experience changes everything. Whenever you started doing a job, even if you were fully trained and qualified, there was a learning curve you had to deal with. Of course, if you survived, chances are you got really good at it. So, if your job has been, “fighting undead” for the last few years, it makes sense that you know how best to take them on. You know the tools to use, what signs to look for, and what sorts of strategies they use. You don't need any particular malice toward these creatures... they're just the opponents you cut your teeth on. #2: Training Not every ranger has gone toe-to-toe with his favored enemy in pitched battles for years on end. In fact, some rangers may rarely, if ever, actually see their favored enemies. They know what to do because they've researched, they've trained, and they've studied. A dragon hunter may never have fought a great wyrm, but he knows the signs to look for when that day comes. The environments they live in, the colors of their scales, and where to put an arrow or a spear to have the most devastating effect. #3: Talent Sometimes a character is just naturally good at something. Maybe he knows just the right ingredients to put together for a salad, or he can always sniff out the best location to make camp. For some rangers, fighting a favored enemy might just be in their blood. An ability to see a creature, watch it move, and to intuit the best way to counter its strengths might just come naturally to you. Time and experience will only put an edge on these abilities. #4: Insider Knowledge No one knows how to fight a certain creature type like other members of that creature type. Human rangers whose primary prey has been other humans, for example, know what they're up against. The same is true for half-orcs who've had to best their orc brethren, or elves who've had to pit themselves against other elves. There is no strangeness in a prey you know as intimately as yourself, and when the ability to surprise is taken away, it becomes a battle of skill and preparation. #5: Admiration Some rangers are experts on the best methods to fight certain types of creatures not because they hate them, but because they admire them. The power of magical beasts, the grace of a construct, or the sheer, alien beauty of aberrations can breed an obsession in someone intrigued by these things. While fear is something a ranger might experience in the moment, there's also respect, and a strange kind of intimacy between them and their favored enemies. Though these creatures might need to be fought and killed, there's a kind of nobility in the struggle for someone who has devoted their life to understanding these adversaries. For more great gaming articles, check out Neal F. Litherland's blog Improved Initiative!  Do you wish you could recreate that original feeling players get when they encounter something "new" and "scary". From a PCs perspective, especially a veteran D&D player, there is not much that can beat that feeling. Well here are a handful of tweaked and modified enemies for you to throw at your experienced players to instil that raw feeling of awe when they meet new enemies that they have never seen before. I believe a fundamental reasoning behind modifying and homebrewing new monsters is to keep your sessions and campaigns “fresh” without ever feeling mundane. Even the most experienced players will start to tire of fighting basic orcs and goblins week in week out. It’s the insertion of a few unique or new monsters like the ones below that can really inject some excitement into your sessions as even your veteran players don’t fully know what to expect! 1). Blue-Orc Berserker I once was under the impression that all orcs love violence equally. I was mistaken. I've seen an Orc work up into such a frenzy his skin turns blue, and he revels with every bone he breaks, or every joint he shatters. Other orcs seem rather docile in comparison now. Blue-orcs are orc offspring that, while in the womb, are exposed to an excessive amount of hormones from their mother. When a pregnant orc is forced to defend her life with axe in hand, she goes through such an adrenaline rush that it changes the baby. The orc is born with blue-skin, and has an insatiable bloodlust and abnormally active adrenal gland. In battle, blue orcs go into a frenzy with multiple mace attacks. They don't care much about pain or fear. They only want blood. They will choose their target at the start of combat, and will relentlessly bombard them attacks, stopping at nothing to break every bone in their body. When bloodied (half hit points), a blue orc fights at its hardest, with powerful swings enough to smash stone and fell trees.  2). Swamp Troll I thought I had escaped the worst of the creature when I sidestepped it's tree-trunk club. That's when I heard a deep rumble coming from inside of it. I had no time to react to the acidic vomit spewing from its mouth. It destroyed my shield and damaged my armour. I tried to plunge my spear into his side, but the creature twisted and I impaled myself on a three-foot venomous barb sticking out from his elbow. My companions finished the creature off, and when the cleric found me where I lay, I was more dead than alive. Swamp trolls are hideous, disgusting, lumbering beasts who reek of vomit. They are covered in barbs, snot and pus. While they aren't the smartest of creatures, they have been favoured by evolution massively. They have a powerful form of regeneration, and venomous barbs located at their elbows, knees and running down their back. They are able to vomit at a whim, drenching anyone nearby in acidic bile straight from the beast's foul digestive system. They will eat pretty much any other creature they can, except for other trolls (can you blame them? Trolls taste awful!) In combat, Swamp trolls are ruthless brutes who use a mixture of hard-hitting clubs and disgusting sprays of vomit to defeat their foes. They usually fight the closest target first out of laziness, but if an enemy uses fire attacks, the troll will try and avoid that person. A group of trolls might, however, swarm a fire-wielding target in an attempt to overpower it.  3). Goblin Assassin Goblins have a short life expectancy. They mature, learn, and usually die very quickly. However, be wary of the goblin that lives for a long time. Their speed of learning does not slow down. A goblin who has learned to kill from the shadows can continue to do so, getting more and more deadly with each passing day. If a true Goblin Assassin ever has you in its sights, there is little you can do short of praying to the Gods. Goblin Assassins are extremely dangerous foes, who can kill enemies of all sizes with poisoned blades or deadly archery. They lurk in the shadows; waiting for the perfect time to go in for the kill. If a goblin assassin does not see a window of opportunity that they fancy, they will silently slink away, and kill another day. In combat, a goblin assassin will spend the first few rounds assessing the situation from a hiding point, before charging in on the weakest or most vulnerable member of the party. They will use their black daggers if they are protected by minions in a melee, but will otherwise be content to use their short bow from a distance.  4). Polarity Wraith It seems that some wraiths are not only masters of the incorporeal, but also have a domination over anything that isn't. It was quite an experience to witness the wraith using telekinesis to turn my own weapons deceiving me. Polarity wraiths are exceptionally powerful beings who can control corporeal creatures and objects with telekinesis. They can disarm opponents, push them around the battlefield, or pull them into a group of the wraith's allies. Polarity wraiths usually fight alongside other undead, but will sometimes strike a bargain with a devil or demon. In combat, a Polarity wraith stays just behind the frontline defence of their allied companions. They use their powers to manipulate the battlefield in their favour. They will either push their allies into advantageous positions, or push enemies into dangerous positions. They also enjoy possessing the weapons of a frontline fighter and using it to wreak havoc on the wraith’s enemies.  5). Necradai Skeletons In all my adventuring days as a Paladin, I have never seen an undead creature that could absorb radiant light. I was mortified when they proceeded to use that radiant power against me. Necradai skeletons are ancient beings from a culture that revere the sun as a god. They have a natural resistance to radiant power, as they absorb it into their enchanted helmets, armour, and blades. They can then use this power to enhance their own offensive capabilities. In combat, Necradai skeletons will often stand in the back of the fight, soaking up sunlight, if possible. They fight conservatively until they start absorbing radiant light. Once they have some power at their disposal, they will enchant their allies’ or own attacks to wreak some real havoc for the players.  6). Scythe Wraith There's a truly unsettling feeling that you get when death stares you in the face. You can feel its weight on your shoulders. You can feel your soul being weakened, as if it's preparing itself for when it is to be taken from you. Scythe wraiths are death seekers who prey upon the living with the intent to steal their soul. They will work for powerful undead masters, but also have been known to lurk freely in the dark places of the world. In combat, Scythe wraiths gang up on a single target, using their Mark of Death attacks to allow them to deal more and more damage to their targets. They prefer to pick targets who are isolated from their allies, and will be happy to phase through walls and other obstacles to reach this target.  7). Crypt Fiend I have never seen a ghoul so large before. It was well over ten feet tall, and it had claws like swords. I saw what they did to Grimhide; tore out his organs through his rib cage with one mighty swing of those claws. Crypt fiends are troll-sized ghouls, undead monstrosities that have dangerous claw attacks and a thirst for blood. In combat, Crypt Fiends tear their opponents apart with their huge claws. Many of them also enjoy skewering their target and bringing it to their mouth to bite into the raw flesh of their prey. Groups of crypt fiends will prefer to swarm a single target that is bleeding badly, as they tear their foe apart in a mindless rage of endless hunger.  Peter is an avid dungeon master, role-player, and story teller. When he's not running homebrew campaigns, he is creating new worlds, or he is reading and writing fantasy stories, forever immersing himself in the gaping black-hole known as the fantasy genre.
 Greetings again, traveller!
It's been too long since we've had occasion to meet face-to-face. Mordent has become very tense of late--I have the feeling that Lord Godefroy is plotting something particularly savage. You'll recall Lord Godefroy: the premier restless dead within the realm, a master manipulator of events both near and far, and a particularly vile combination of elitist and sadist. If you weren't aware, Godefroy appears to be the principal resident, or 'Darklord' if you prefer, within Mordent. It is his history and character which shape the realm, a realm which answers to him in almost every way, while at the same time defying his ultimate ends. Godefroy is, at the end of the day, a bitter old man incapable of finding anyone worthy of taking on his legacy. Now the country is filled with commoners and peasantfolk, the noble families long passed away. No peasant, no matter how wise or judicious, will ever be good enough for Godefroy, of course. While the surviving Weathermays would be the natural choice, they are all avid monster hunters, and would give Godefroy the fight of his unlife if they became aware of his machinations. It would seem at first blush that he has little option beyond them. However, not all of the noble families are as extinct as it might appear. A few survivors escaped either the destruction of their kin, or the realm. As Jules Weathermay grows increasingly older, and Godefroy's options diminish, there must eventually come a time when rulership of Mordent passes to someone. Godefroy will undoubtedly choose the least repugnant option from his limited selection and endeavor to manipulate them into governance. To that end, I thought it might be beneficial to discuss what options have presented themselves so far. 1- Aubrecker It is strange that Vilhelm von Aubrecker never considered looking for illegitimate children issued by his son, Rudolph. The boy's carousing was legendary before his disappearance, and where one finds a lust-driven noble boy, one usually finds bastard children just around the corner. Fortunately, it only took a small amount of digging to unearth Stefan Clairemont: the son of a merchant noblewoman from Dementlieu (known for a rather egregious wild streak in her youth, and known to have attended several social events with the younger von Aubrecker during their teens). His parentage is not something which is often brought up, but which is painfully obvious: if he were ever to meet the boy, Vilhelm would recognize him as his grandson at once. It might come to pass that the best option for Godefroy is to infuse his realm with noble blood from another land. Although many nearby realms have 'noble' families scarcely worthy of the name, the von Aubreckers are distinguished enough that Godefroy can respect them, and an expatriate scion is even better, since he is certainly free of any familial influence. Stefan Clairemont is nice enough to converse with, if a bit dull and unimaginative, with no great ambitions beyond marrying well, investing his family fortunes with the help of sound financial counsel, and enjoying local art. He would make a wonderful tool for Godefroy to manipulate. Dread Possibility: Clairemont has only recently come under the sway of his older brother Rudolph. Although Godefroy is aware of Dominic's struggle with another mental manipulator, the old specter isn't as familiar with the Brain's handiwork, and wouldn't recognize the signs of it in Clairemont. This might give the Brain an alternate outlet to attempt to manipulate, and either a new place to call home, or a source of additional reinforcements for his battles with d'Honaire. 2- Halloway Aimee Mainrouge is a wealthy aristocrat from Dementlieu. She comes from money, and has never wanted for anything save for entertainment. Fortunately gifted with an athletic physique and a natural grace, Aimee has found great success at fencing. She frequently chooses to fight duels on behalf of other young women in Dementlieuse society, with her striking good looks belying her skill with a blade. Unfortunately, Aimee has no true altruism behind her actions, she merely enjoys the violence as well as the praise that comes with being a 'hero.' Recently, when her father passed away, Aimee discovered a trunk amidst his possessions containing a number of family heirlooms. Among them are several artifacts, including a signet ring and a docket of lineage showing that her ancestry can be traced to the Halloways of Mordent. She has been considering a return to 'her homeland.' If her family history were discovered by Godefroy, she would make an interesting candidate. Her gender is not what he would prefer, but any noble is better than no noble as far as the old man is concerned. Dread Possibility: Aimee Mainrouge is a victim of a long-forgotten con. She is not a Halloway at all, just the great-great-great-great-great-great-great-granddaughter of an enterprising fence with a surplus of stolen art and a gift for forgery. His claim to distant nobility enabled him to establish himself as a wealthy merchant, and he maintained the tools of his deception should he ever need them. Sometime within the past 200 years, the truth was lost to the family. Although Aimee is the only living member of the Mainrouge line, Godefroy may very well decide that a counterfeit Halloway is an acceptable temporary substitute for a real noble to rule Mordent. 3- Mournesworth Just north along the coast from Mordentshire sits the small coastal town of Drifthome. The mayor of this village is an outlander by the name of Joram Fallstar, a retired adventurer who has only recently discovered the truth about his ancestry. After many battles with the evils of the Mists, Joram came to wed a witch. Along with his adopted child, they retired to the village which he had come to call home. During his last adventure, he discovered with the aid of an artifact known as the Tome of the Compact that his parents had fled the Mists centuries before through means unknown, changing their name from Mournesworth to Fallstar to escape persecution in a strange land. Joram believes strongly in law and order, and would accept rulership of Mordent if forced, but would prefer not to. He knows full well the extent of Godefroy's power, and wishes nothing to do with the ancient spirit. Dread Possibility: Godefroy knows the truth about Joram's wife: she is not entirely human, but is instead a merwoman whom exchanged a portion of her soul to stay on land with her love. Joram himself might be acceptable to Godefroy, but accepting the Mournesworth would mean giving legitimacy to his children, one of whom would eventually inherit the regency of the land. Since Joram's eldest child is an adopted Falkovnian, while his younger, natural born child is equally repulsive in Godefroy's eyes: the boy isn't even fully human, his mother's foul sea-creature blood tainting him beyond Godefroy's ability to stomach. 4- Blackburn-Bruce Of all the families, the Blackburn-Bruces are the one family that absolutely survived their 'destruction.' Numerous heirs have cropped up over the years, only to be usually connected with some diabolic sorcery. While I scarcely would have believed such a thing, I was with Joram when he discovered the Tome of the Compact, a book which appears as gibberish to anyone not descended from one of the noble families of Mordent. To my amazement, I could read it as well! My father-in-law, a historian of rural folklore and a font of lost information, believes strongly that my sister and I descended from one of the scions of the Blackburn-Bruce. Although this information has been whispered about since then, I've been fortunate that the citizens of Carrinford-Halldon continue to accept me as mayor, my family's dark legacy not sufficient to sway them against me. I've no interest in becoming Godefroy's catspaw, of course! Both myself and Gwendolyn are ever-vigilant against incursions from the restless dead, lest the old man come for me or one of my children. Dread Possibility: Before she was Lady Drakeson, Gwendolyn was known as Gwendolyn Timothy, a surname whose significance is not lost on Godefroy. The old man has no interest in allowing Nathan Timothy's daughter or extended family a foothold within his realm. Even if he were able to look past the lycanthropy that runs in the family--and which Gwen has infected her husband with--he cannot overlook the family's loyalty to their patriarch, and especially cannot overlook Frankie Drakeson's coarse and vulgar nature, closer in demeanor to the citizens of Verbrek than the the men of power in Mordent. Conclusion Whatever Wilfred's got up his ectoplasmic sleeve, it's going to be unpleasant for someone. Whichever one of these unlucky sods he targets is going to be in for the fight of their lives. Once Godefroy sets his sights on something, it's almost impossible to shake him off. Even if you want nothing to do with the coming fight, I would be remiss if I didn't insist on hosting you here in Carinford-Halldon again. If you can stay a few weeks or even days, that would be delightful, but even if you can only spare us a single night, we'd love to have you for dinner. Safe travels and happy hunting, Frankie Drakeson, Lord Mayor of Carinford-Halldon. Jim Stearns is a deranged hermit from the swamps of Southern Illinois. In addition to writing for the Black Library, he puts pen to paper for High Level Games and Keep on the Heathlands. His mad scribblings can frequently be found in Quoth the Raven, as well as anthologies like Fitting In or Selfies from the End of the World, by Mad Scientist Journal. Follow him on Twitter @jcstearnswriter.  There’s a certain charm to the newest edition. It’s almost intangible. Although I find all of it very enjoyable, in a couple instances, it could be considered… lacking. Don’t get me wrong, it's just as easy to pour your heart and soul into a character as it’s always been. I just feel like there a few holes to fill. This is probably just my way of coping with the fact I can't take exotic weapon proficiencies and make everything strange for the party. Here are a few things I feel could be spiced up a bit.
1- Shields Who doesn’t like having an extra layer of steel between you and the creatures trying to kill you? No one. That's who. No one and that jerk at the table whose chaotic neutral to be genuinely evil without the official label. D&D 5e seems to be a little lacking in the shield department, this time around. Especially considering how useful they were in historical combat, and the plethora of styles and materials that have been used throughout history. Things like bucklers and tower shields would be great to see implemented. For example: bucklers could increase AC by a lower amount, say +1, but could have some sort of striking feature where you could make an attack with it for minimal damage. Tower shields could give +3 to AC but have a disadvantage if you’re carrying it without a certain strength, as well as the ability to plant it in the ground for cover. Hell, even them being made of wood or other metals could have an effect on the player. Sure this is something you could work out with your DM, but isn’t it nice to have the source material give actual stats and features for these types of things? 2- Maneuvers I’m not saying maneuvers are boring (although more of them would be beautiful). Quite the opposite. I think MORE classes should have maneuvers as an option. For those of you who are unsure of what maneuvers are, they are located on page 74 of the PHB, as part of the battlemaster subclass for fighters. Other than that, they never show up! They add a dynamic to the game that’s so intriguing and interesting. It just feels a little underdeveloped. I know there's a feat for extra maneuvers, but not everyone does feats and it's a rather miniscule amount of maneuvers instead of having a subclass built around them. Combat based rogues would benefit greatly from maneuvers. Sadly, there’s no subclass for the resident sneaky badass who fights as good as he steals. The monk falls victim to this too! The monk's martial arts feel like they could have been explored more. Maneuvers could have made the monk feel more, uh… “Whachaaaa,” if you catch my meaning. Long story short, maneuvers are glorious, why can’t they be everywhere? Paint the walls with maneuvers, even if it would make combat longer. 3- Subclasses (In certain instances) Yes yes, take my silly concerns and shove them up my (Upper management has reduced Jarod’s non-existent pay due to subject matter complaints in this sentence) because unearthed arcana already offers a billion and a half extra subclasses. If you ask me a few classes could use a little more variety in the base books. Such as sorcerers. They only have two subclasses and one might argue only one of those subclasses is worth playing, but that’s a subject for another day. This seems like a comparably low amount to the Cleric and Wizard’s cornucopia of subclasses. Other classes that suffer from this include the Ranger, Barbarian and Druid (the woodland people are getting the short end of the stick here) along with a few other classes. My major point here was supposed to be how race specific subclasses could come into play if you are using a class that compliments the race nicely. High Elf wizard subclass that lets you memorize extra spells or get extra spell slots. Mountain Dwarf fighters that can enter a battle frenzy-like thing where they get an extra attack per round for 5 rounds. Lightfoot Halfling rogues that get massive bonuses to their stealth rolls but have to sacrifice something… what? I can’t be charming and creative constantly. 4- Feats I don't mean to deFEAT (Editor's note: We take no responsibility for injuries due to extreme eye-rolling. -VP Quinn) the purpose of the unearthed arcana pages but I feel like it should’ve been released in the core books. Just more. I want more, damnit. Sorry. Reigning it back in, a few extra feats would bring a joyous tear to my eye. Something to give more unarmed attack bonuses like the Tavern Brawler feat. Maybe play around with the martial arts feature with the monks. Make tool proficiencies more interesting by playing around with that tinker ability for the Rock Gnome. In reality, it might be a little overwhelming to drop so many feats into the core books, so it's understandable. We all have limits and deadlines. I’m not harping on this too badly I hope. I mean, compared to the other points in this article, even I feel like this is a little ham-fisted. Which could actually be an awesome name for another feat dealing with unarmed attacks. 5- Weapons As stated earlier, I miss exotic weapons. Sure, they’re a little unrealistic but someone out there is probably flying around on a carpet with a magic blade you named “Kitten-slasher.” So you can get off my back about me missing a massive double-ended axe. From what I’ve seen in the community, I’m not the only one who misses having the massive array of weapons and gizmos attached to them in their armories. They were the backbone of some of my more interesting characters. You will be missed Rhagar. RIP. Exotic weapon proficiencies aren't the only way to spice up this category. Direct your attention to something actual blacksmiths always have to consider: Material. It may make things a little more tedious in shopping scenarios but the differences between an iron, steel or mithril blade were astounding. Although, mithril is not a real metal. If it were, it would probably break science. I like to think that Wizards of the Coast encourages us to play with the materials of our weapons. Things like adamantine and silver are things you can make weapons and armour out of, after all. Wouldn’t you like to take a little extra time to draw up a sword? With a special crossguard, a niftier handle and a certain blade shape? I feel like it would make the whole roleplaying experience just a little better. I happen to feel passionately about this point in particular because it’s freaking awesome to pounce on someone with a double-ended sword-spear. 6- Alignments “How dare you question how the gods have had mortal man exist since the dawn of time,” I hear you typing in the comment section, “Curse your blasphemy! Curse your children! Curse your dice” Now that everyone’s done being mad at me (for now), you should hear me out. The alignment system D&D has been used since the very first system (with the odd awkward stage I like to call D&D’s puberty period where everyone tried a new name on and joined Tumblr) but perhaps, after it being so long since things have started, we could try to mix things up? I know it’s hard to find fault in Gygax’s masterful creation that is the alignment system we know and love. Perhaps we shouldn’t look for faults as much as we should imperfections. True Neutral back in the day went all Isaac Newton on your ass. Essentially for every good action you have to commit an evil one, or at least you tried to live in an exact balance between good and evil as well as law and chaos. For a casual player, or even an experienced player, this sounds like a fresh hell in either definition. An example straight up given in the books, from what I can remember, was that a druid saving a village from gnolls might switch sides halfway through the fight to prevent the gnolls from being completely wiped out. Something like that could get you killed by your party if they don’t want to put up with that crap. If you consider that druids in AD&D were required to be neutral, you could see where restrictions and requirements could be a pain to any party. While it may be pointless to look back and say, “Things were bad,” especially in an article where I’m talking about 5e not older editions, I felt it was important to include to make the point for 5e. I feel like there’s no “selfish” alignment. I know, I know; chaotic neutral or neutral is the way to go, or even dip into the evils. However, with each “chaotic” or “lawful,” you place yourself into a more limited spectrum. You restrict your choices. You can’t kill the man who killed your father because as lawful good, you’re supposed to think deep down there's hope. You can’t save your own mother because there's nothing in it for you, you chaotic evil bastard. I know these are extreme and unlikely with an average DM but if there's even a chance that your alignment would prevent you from doing what is human (or elven or dwarven or…) for you then maybe we should consider expanding our options a little.. What comes naturally to the person you have carefully crafted and developed is what should be considered. Not some super-strict ancient system. Isn’t it worth considering that alignments could be changed? I just feel like describing who you’d want to be would be quicker. Chaotic Evil doesn’t always mean “Jerkish Dipwad.” Lawful Good doesn’t always mean “Stick Firmly Planted in Butt.” Maybe I’m just rambling crazily. After all I haven’t seen the sun in 72 hours after locking myself in the basement again. But things are as they are. I mean 5e is still really good. The extra material Wizards of the Coast has released has been good, great even, which, after 4e, is refreshing. Just remember, the Shardmind will always be there. Watching. Waiting for someone to open that book and say “I should adapt this.” Then, each and every individual circle of hell will unravel to make way for Psionics once again in this once-safe world. Jarod Lalonde is a young role-player and writer whose passion for both lead him here. He’s often sarcastic and has a +5 to insult. Dungeons and Dragons is his favorite platform. Although he’s not quite sure if it’s Call of Cthulhu whispering to him in the small hours of the night, or just persistent flashbacks to the Far Realm.  Hello. My name is Landrew, and I’m a role-playing game junkie…
“Hi, Landrew…” Hello fellow junkies! In an earlier article, I talked about some rewards that games give players to keep them hooked. After listening to the feedback I got on the article and giving it some more thought, I decided it might be nice to hook my readers up with some solid tips on where to get the rewards they want. In this article, I point out some games (we’ll call them ‘dealers’) that do a great job of providing players with the rewards they want (e.g. a ‘fix’). These recommendations are limited by word count (all hail the corporate leaders) and by my own experience - which is heavily based on Dungeons and Dragons 3.5, the original Rifts, Marvel Superheroes, Fate, and Shadowrun. If you have your own recommendations for reward mechanics, please post them in the comments! 1. “Uppers:” Levelling Up/Character Advancement There’s nothing like good old Dungeons and Dragons for enjoyable character advancement. Although there are definitely some cool things about 5th edition, I’ll take 3.5 any day to get a good high. Feats, skills, and base attack bonuses... the rules are crunchy, maybe, but that’s part of the fun! It’s like a tinker gnome assembling nifty trinkets into a deadly whole. While I prefer simplicity during gameplay, complexity during character creation and advancement is a heck of a lot of fun. Pass that rare, dangerous, and somewhat broken source book, please! Honourable mentions go out to cool combat tricks and spells that can be earned in Kevin Siembada’s Rifts, and the power stunts mechanic in Marvel Superheroes. 2. “Bling & Benjamins:” Gear and Money The nominees for the ‘best gear’ award are tied, in my mind. If you want cool gear with its own stats, you can’t get much better than the gear lists from Rifts and Shadowrun. The detailed weapon descriptions add an irreplaceable layer of realism to the game world in both settings. I would be remiss if I didn’t include the gear lists from Dungeons and Dragons, as well. Again, recent game design theory is often critical of gear lists, saying that gameplay gets bogged down in the details. “Do you have a ten-foot pole on your inventory list? Doesn’t that make you encumbered?” However, removing gear lists also removes the fun of neat equipment-specific tricks and having exactly the right piece of gear at the right time. There’s got to be a happy medium out there somewhere... 3. “Hallucinogens & Immersion:” Exploring Game World Settings Which games have the best settings to discover? With all due respect to the many worlds based on Dungeons and Dragons (or were they called realms? I’ve forgotten), this award goes to Shadowrun first, with Rifts as a close runner-up. In the funny world of game publishing, game mechanics are not considered intellectual property - check out the first two paragraphs of this handy pdf from the US Copyright Office. Given this, a lot of the effort that goes into game design is poured into things that can be copyrighted, like setting, supporting characters, and game history. Hands down, nobody does this better than Shadowrun. It is based on an alternate timeline beginning in the 1980s and winding up in a dystopian cyberpunk future where magic and dragons have returned. The history of this alternate timeline is compelling, detailed, and strangely realistic. It features complex interactions on both the geopolitical and local level. For example, the last will and testament of the great dragon Dunkelzahn, late president of the United Canadian and American States, features enough loose ends and just enough interesting detail to provide plenty of role-playing hooks, while also just being a great piece of fiction in its own right. Also, Rifts. Thank you Kevin, for successfully describing a world in which literally anything can happen. Because, magic. 4. “The Mind Job:” Problem Solving Again, not to play favourites, but Shadowrun is my favourite for built-in problem-solving opportunities. The many heist-style modules lend themselves well to sitting down with your buddies trying to figure out a way to beat the odds. I like it because, though it is frankly combat-heavy, there are still a very large number of non-linear possibilities. Oh, that powerful security team can outgun us? How about when the commander is persuaded to give just one poor order to his team because his cousin’s buddy has the BTL he wants? Now the security goons are in the wrong place at the right time for them to notice our distraction, while the mage hacker ghosts in undetected. There’s nothing like the satisfying click of an opening safe in a heist gone right. 5. “The Happy Ending:” Resolving Story Arcs Jumping off the Shadowrun train for a bit, the best story-based mechanic that I’ve encountered so far is Evil Hat’s Fate system. I say ‘so far’ because I know there’s a ton of games emerging that have built-in story mechanics… I just haven’t tried them yet. Fate has a lot of cool points. The use of descriptors, called aspects, as part of the mechanic means that conflict has a built-in narrative quality to it. More importantly, however, is that character advancement is tied to story development rather than arbitrary monster XP values. Gameplay is divided into chunks like a TV show: scenes, scenarios (think episodes), arcs (seasons), and campaigns. The characters advance by reaching different ‘milestones,’ which are reached at the end of each chunk of the story. Advancement happens because of the characters’ experiences, which makes a ton of sense and is super satisfying as a player. With this structure, it becomes very easy to enjoy the feeling of closure you get from finishing the latest season of your favourite show. As you can see, no single game has everything. There are enough great games out there, however, that it’s not too difficult to find the reward you’re looking for. I hope this article helps you put a handle on what you want out of your games as a player; or maybe it will help a gamemaster find out what to give his/her players to keep stringing them along. No matter what, post your ideas in the comments, and let’s take our games to the next level. Landrew is a full-time educator, part-time art enthusiast. He applies his background in literature and fine arts to his favourite hobby (role-playing games) because the market for a background in the Fine Arts is very limited. He writes this blog on company time under a pseudonym. Long live the Corporation!  Reading Monster Manuals and supplemental materials has always been a favorite extension of this hobby for me, as it helps flesh out my campaign setting, and give me a greater sense of things outside of the party and their internal affairs. While meandering through the manuals, I always end up stumbling upon a creature or two that become a favorite, such as the Pseudodragon. I also find others which pique my curiosity, and urge me to read more about them and their world. Here’s a collection of some of my favorite ‘cute’ monsters. Our opinions may differ, and I hope my explanations bring levity and illumination beyond the stat block.
1. Kobolds: Noble In Their Own Minds - I’ve always had a hard time imagining Kobolds as anything more than low-level player fodder, until I finally took the time to read their myriad of Monster Manual entries throughout 3.5 and 5e. The iconic imagery of a Kobold, sniveling, cowering before a party of players and begging for its life is the standard tactic of a DM, and while tropes exist and persist, I wanted to read more on them, for my own curiosity. Religious, clever, and organized into formal societies, their physical weakness is usually the first trait most adventurers notice; I encourage DMs to look at their fondness for traps, their allies with their ‘ancestors’, dragons, and help flesh out their ‘small but mighty’ mental image each Kobold clings to, before encountering a group of armored pulverizing machines (your PCs). While not physically cute (unless the artist has a soft spot for them), I find their ideals endearing, and their traits charming. 2. Firenewts: Religious Militants With Slappy Feet - Imagine for a moment, the adorable type of newt or salamander you might find hiding under a rock in the forest. Make him 4 feet tall, bright orange, and religious. Now, keep in mind, those floppy hands and feet are proportionate to its now bipedal form, and try to envision those wibbly hands grasping a sword, defending their honor, or those floppy feet slapping down stone hallways, marching towards freedom. Are you giggling yet? Can you hear the “fwap fwap fwap” their little footsies make in a dungeon? Can you understand how much I giggle every time I hear them mentioned? Not yet? I’ll keep trying. They ride Giant Striders, which are basically chickens with no wings, or domesticated velociraptors. Now imagine our newt friend riding one in glorious battle, holding a banner for the Elemental Prince, Imix, in his webbed hands. 3. Grungs: Poison Dart Frog Warriors - Yet another incongruous mental image of a little tree frog, brightly colored, and poised to kill your party. Volo’s Entry on this particular creature: “Sentient, poisonous frogs that live in trees. Truly, the gods hate us.” Also, they’re slavers. Can you imagine a little three-foot-nothing bright green frog, cracking a whip and carrying you off in chains? Once again, the writers went above and beyond to try and divert away from that fact that these little ribbit rabble rousers with beefy forearms are hard to take seriously. 4. Korred: Magic Hair Fey - Stone shaping, cloven hoofed, gem sniffing, magical hair-possessing fey. A re-hash of the 2nd Edition creature, Volo’s strikes again by satisfying two distinct desires: more fey-based creatures, and magic hair. Okay, maybe not everyone wants to ally themselves with a creature that possesses magic hair, but I’m sure someone has an idea for a Samson-esque quest, and boy do I have the monster for you! Or, if you’d prefer, you could find a female Korred with snazzy glasses whose hair can whip you in combat. Korred’s hair can take on the physical properties of whatever kind of material was used to cut it. So, if you use steel (or gold) scissors to cut their hair, then the now dislodged strands become steel (or GOLD). They can also conjure elementals, and don’t really fancy people mining away at their homes, but if you can make a friend with a Korred, you can find new tunnels for adventure. 5. Vegepygmies: Fun Guy Fungi - I don’t know if it’s the woobly arms, the tribal nature, the lush jungle backdrop, or the nickname “Moldie”, but something tickles me about Vegepygmies. They’re plant people, with a basic intelligence, a Chieftain, and weird puppies called Thornies. I wholeheartedly recognize I might be alone in finding them cute, let alone endearing (especially if the Russet Mold tactic gives you flashbacks of Mia and a particular family of mold-infested Hillbillies), but I’d love to see a party encounter some Moldies and befriend them. Though, knowing the standard rule of “Kill first, ask questions later” that can surpass any curiosity players may hold towards these Fun Guys. ...I’m sorry, I used that joke twice. I’ll see myself out now. 6. Xvarts: Tiny Blue Thugs - Xvarts are the degenerate offspring of the demigod Raxivort, who was betrayed by Graz’zt the Dark Prince. ...What? Let me start again. Xvarts are tiny blue thugs that steal crops, domesticate bats and rats, and generally live in hills and caves, fearful of Humans, Elves, and Dwarves. The Xvart leader, known as a Speaker, can be found wearing stilts and long robes (to hide said stilts), in an effort to ‘elevate’ themselves within their society. Cowardly thugs, begotten by a cowardly demigod, all Xvarts look like their creator, replete with receding hairline, and orange eyes. I feel bad for Xvarts more than I find them cute, as their Volo’s entry goes out of it’s way to mention they cannot reproduce (I assume all Xvarts are male, as Raxivort was), and their demigod patron is known to appear before them and take all of their gold and treasure, and leaving nothing for the tribe. They definitely got the short end of the cosmic stick. No matter, the size, shape, floppy quality of their hands, or alignment, I hope the selection of creatures before you have piqued your own curiosity to read further into the fluff, and form the vast landscape that is your own campaign setting. Angela Daurio is now engaged to her favorite monster hunter, and has recently returned to the other side of the table as a player. She lives in New Jersey with her two cats, parental units, and four fish.  Like it or not, a large part of being a fan of Ravenloft seems to be apologetics for parts of canon that you find...awkward. While some folks just toss the stuff they don't like, a lot of us like the challenge of re-envisioning cringe-y canon by applying one or more coats of interpretive "fanon."
The Grim Harvest series got mixed reviews from fans, what with parts of it ignoring previous established material (Falkovnia awash with wizards and magic? A male Vistani reading the Tarokka?) and adding more stuff that some found cringe-worthy (Azalin's clones? The Eternal Order call to prayer?). While subsequent material has made this all a little more palatable, the part that many DM's and players have struggled with the most is the end result of the Requiem: a massive Shroud of negative energy over the entire city of Il Aluk, now known as Necropolis for the simple fact that anyone who crosses the border dies and reanimates as some kind of undead monster. Seriously, it's not hard to understand the frustration DM's face at incorporating Necropolis into any campaign that does not have an all-undead party. If the Shroud has sucked all the positive energy out of your storytelling, here are some suggestions on how to use it in a game which doesn’t start with a TPK. Note: These are in order by approximate power level of the party, and can build on each other, but these suggestions are not intended to build a campaign around the Shroud, only to make Necropolis more accessible in an existing campaign. 1. "Near at Hand" - If you have a low level party and want to do some foreshadowing for later expeditions to Il Aluk, consider this encounter from the Forgotten Children netbook (available for free at http://www.kargatane.com/). The crawling claw monster is appropriate for a low-level party, and hearing about how Dunkel Kralle lost his hand to the Shroud will do wonders for setting the mood for the future. That expository conversation is not written in the adventure, but it's easy to add regardless of how it ends, as long as at least one of the original witnesses survives to tell the tale. Best of all, you can relocate this mini-adventure almost anywhere with just a little adaptation, because it doesn't require the PC's to go near Necropolis at all. If you think a particular location is too far away to place the adventure, just imagine how far Dunkel might go to get away from what is chasing him.... 2. Racing the Dead - Once it's time for PC's to see the Shroud on the horizon, consider pitting them against a monster that would take refuge from them in the Necropolis. Make sure the stakes are high enough that the PC's must give chase: a fledgling vampire or golem kidnapping a beloved NPC should do the trick. The PC's know that once the creature reaches Il Aluk, the prisoner will perish and the creature will be forever beyond their reach. If the chase has the right amount of stop-and-go action, it should end with the creature duking it out with the PC's a few yards from the Shroud, with dark shapes watching from the shadows on the other side. Regardless of the result, the Shroud will live on forever in thoughts of what "might have happened." 3. Scrying - Various divination spells can be useful for probing the other side of the Shroud safely. Some spells cannot reach across domain borders (Find the Path, Locate Object), so those won't help unless you can find a place where the Shroud does not extend as far as the Darkonese border. Others (Clairaudience/Clairvoyance and Scrying), work within any Mist-bound region--which in this case means the entire Core. These spells usually create a visible sensor that resembles a ghostly eye or ear, and opens the caster up to attacks, such as the domination gaze of a vampire. While it's true that Necropolis has more than its share of vampires, it also probably has more than its share of disembodied ghostly bits floating around, such that the vampires might not even bother investigating. For the rest of the party, a 3D map of the target areas can be made using simple illusion magic. Between this and maps of Pre-Requiem Il Aluk, a party could plan a daring coup as the target of their scrying comes near the edge of the Shroud. This is also an excellent way to learn about the different means of circumventing the Shroud, such as Necropolitan Amaranth (see below). 4. Eyes of the Undead - This spell from Gazetteer 2 deserves special attention because it allows someone to see through the eyes of an undead creature. The caster gets a few hours of spying around the interior of the city while safely outside the Shroud, up to a distance of one mile. As a Necromancy spell, it cannot be cast without a powers check unless the DM waives or reduces this when cast with good intentions. Nor does it allow the caster to control the undead, but a neutral or evil caster may have other means to do this. A good caster, on the other hand, would want to take full advantage of the fact that the spell can be cast from medium range at an unwilling creature who gets a single save to resist. With luck and planning, an unwitting enemy can become an excellent guide to the City of the Dead. 5. Milk Run - The undead of Necropolis are generally listless… but there are exceptions. Vampires, in particular, hunger for blood, and the blood of corpses will not sustain them for long, even among those who would deign to drink it. While this might drive many bloodsuckers to seek better feeding grounds, others might try to make the best of it, "dining out" at feeding houses just outside the border, "ordering in" through lackeys who deliver living victims protected by amaranth (see below), or coming up with other ways to satisfy their needs. This blackest of black markets could lead to some very creative solutions by those with the means to deliver the goods, many of which could be exploited by PC's. Cities far removed from Il Aluk, even other domains, might receive a traveler who lures the gullible into private settings, then pulls out a Ring Gate, through which billows a strange white vapor.... 6. Necropolitan Amaranth - Once the situation calls for PC's to actually enter, this simple grain from Gazetteer 2 is the obvious choice to protect them. As the only plant that grows in Necropolis, it ought to stand out when PC's notice it while spying and scrying, although it may take them a while to understand its significance. PC's should have developed a healthy respect for the Shroud by now, and might be reluctant to trust a few curious seeds with keeping them from death and undying damnation. If that's the case, allow them to discover that they are not the only ones investigating amaranth. Rival adventurer groups, unsavory mercenaries, or vampires seeking to keep their food "fresh" might demonstrate to fearful PC's the power within amaranth: it’s ability to protect mortals--and that the PC's need to use that power if they seek to stay in the game. 7. Strange Bedfellows - Not all the creatures who pass the Shroud are evil, and even among the evil there are those who can be...enterprising. If the PC's need help while in Necropolis, they might find themselves rescued by undead heroes such as Jander Sunstar or Andres Duvall. If they are less lucky, their saviors might be more along the lines of Kazandra or Ratik Ubel. Other creatures of the night might approach them with an offer to penetrate deeper than PC's can safely go using amaranth alone. Merilee Markuza, Lucre the Goin Colem, former Kargat leader Kristobal del Diego, or many other mercenary-minded monsters could easily make such a deal. While the PC's may not take the offer, or may come to regret it if they do, the treasures and secrets behind the Shroud will linger in their minds long after the individual offering them has departed. 8. Tempting Transformation - Once something within the City of the Dead has hold on a PC's heart, that character gets a delivery of two boxes and a set of detailed instructions on how to lock themselves in a sealed room, drink the sleeping draught in the smaller box, then open the other box to reveal a little puppet holding a half-dozen silver needles.... As constructs, carrionettes can enter the Shroud unharmed, and their ability to switch bodies with a PC grants a rare opportunity to explore Necropolis with impunity. Of course, staying in the form of a carrionette for too long has its own dangers, and they ought to wonder which of their grim sponsors (see #7) sent them the little horror in the first place. 9. Alchemical Allies - A PC with access to the alchemical feats of Van Richen’s Arsenal can make various forms of alchemical life that could penetrate the Shroud. Alchemical homunculi could be achieved at low-to-mid levels, creating a kind of “familiar” that would make an excellent companion to any carrionette PC’s (see above). At slightly higher levels, the PC could create alchemical duplicates of the entire party, albeit with none of their class levels. It might even be possible to transfer the psychic link from the creator to the original donor, allowing the entire party to direct their duplicates into Necropolis via active psychic link, leave them there wandering about in passive mode for days, then resuming active psychic link when needed. Of course, constructs fueled by positive “quintessence” might not be as immune to the Shroud as ordinary golems, but that’s up to the DM. 10. Shadow, Spirit and Shroud - It's unclear in canon whether or not the Shroud extends very far underground, into the Ether, or into the Plane of Shadow. The first option is available for low-level parties seeking to infiltrate the city from underneath, but higher level magic allows access to the other two. With so much death in the wake of the Requiem, it's expected that these border planes will be awash with powerful resonance--possibly distorted by the waves of positive and negative energy that created the Shroud--and disembodied spirits of all kinds may take refuge in them. Traveling through either of these border planes will allow PC's to penetrate deep within Necropolis and even engage with some of the inhabitants who walk in two worlds, such as Jadis Ranhertd, the former heir apparent to the baron, now an ambitious undead shadow.... 11. 'Mostly' Dead - The carrionette trick from #8 is hardly the only way to transform a PC into a monster. It's a time-honored tradition in Ravenloft to temporarily turn PC's into headless automatons (Roots of Evil), flesh golems (Adam's Wrath), ancient dead (Neither Man Nor Beast) or other things that might pass into Necropolis. For an especially reversible option, the Revenant spell from Dragon Magazine #252 can temporarily turn a living person into a powerful undead revenant. Obviously the spell and/or some of its required actions (cutting a person's beating heart out and replacing it with a lump of clay, squeezing it to cause the revenant pain) may require a powers check, but if the PC's are desperate enough, or are at the mercy of some awful mastermind, they just might make take that leap. 12. Wrinkles in the Land - Some reality wrinkles might actually subvert the constants of a domain, at the DM's discretion. A truly epic adventure might allow the PC's to enter Necropolis while the Shroud is compromised by the arrival of a powerful fiend. The basic rule for size is 2000' per hit die, which is enough space for a 10HD fiend to compromise the entire Shroud if it reaches the center of the city. The mysterious Carnival travels under the protection of such a reality wrinkle, and the serendipity that directs its movements has taken the Carnival into dangerous places before. Isolde of the Carnival stalks the mysterious Gentleman Caller, another fiend of truly epic scale, and don't forget that the darklord of Necropolis would certainly be roused to investigate any such disruption to his unholy order. Of course, a party capable of engaging with such titans might have a member with a small reality wrinkle--monks of 20th level or higher, or other classes who transform into some other kind of native outsider at high levels. 13. A Rift in the Shroud - Finally, special mention has to be given to one such outsider: Styrix the Night Hag, whose Rift Spanner is the one thing stated in Ravenloft canon that could undo the Shroud. Styrix has sworn that Azalin will witness her escape using the Rift Spanner, an oath which might make her reckless enough to avoid using the fully-charged device until she can get close enough to Avernus, which is is only a short distance due south of Necropolis. In a strange juxtaposition of suggestion #2, an enterprising group of powerful adventurers might seize the device and race to get to the City of the Dead, a frantic Night Hag on their heels. The PC's ambitions pit them against not only Styrix, but also Death and his Unholy Order, while the lich lord of Darkon could easily end up an ally, if only to spite Styrix and Death. Styrix's reality wrinkle may or may not be large enough to cover the entire domain of Necropolis, but it could easily extend a few miles ahead of her as she pursued them, causing her to unwittingly ease their passage into the heart of the City to detonate her device and destroy the Shroud forever. Matthew Barrett has been playing and writing for Ravenloft for over twenty years, starting with the Kargatane's Book of S series (as Leyshon Campbell). He married his wife on Friday the 13th after proposing to her on Halloween. By tradition, the first story read at birth to each of their three children was The Barker’s Tour, from Ravenloft’s “Carnival” supplement.  I have to admit, sometimes I am a lazy role-player, and more recently I am the laziest role-player. I expect to turn up at the latest session -ready for fun- with little-to-no time in preparation.
I haven’t always been this way. I have done the GMing stuff where there is more work involved, but at this point in my life I want a gaming experience that takes me away into the mythical world and away from the drudgery of laundry and lesson planning. However, my foray back into regular gaming was not my easy, comfortable sweater that I expected and wanted to slip on. No, it was shiny new settings and games, and I had a lot to learn. As lazy as I am, I am glad for it. 1 . New games make you read I know it sounds like a boring reading comprehension test, but with new systems and settings comes new ideas and ways of looking at role-playing. And every rule/adventure book has its own feel that you become immersed in. Now, I’m not talking about just skimming the pages until you see numbers underneath the class/race/occupation/skills that make your eyes light up (but you do need to do that as well). I am talking about reading about the world that has been lovingly crafted for you to explore or being consumed into a new culture through someone’s words. These can be the clearest depiction that gives each person the same sense of what is going on or they can be an outline that make you develop those places and people together. Often a completely new setting will spark your imagination and energise your play. Furthest to the south is the sandy and inhospitable lands of the Owl Clan, who share strange and arcane secrets with the emptiness of the desert. They are known for consorting with spirits that often spell ill to their "mistresses." From a stone-age fantasy D&D 5E setting created by VP Quinn 2 . New games make you think and role-play differently We all fall into a bit of a routine with role-playing. Even those with a streak of interesting, dynamic characters often use similar techniques to get information, to engage in combat, or even to interact with NPCs and PCs. There are vastly different games each with their own idea of these interactions. They force you to think differently. As an investigator in the Cthulhu world, I started by looking into one thing at a time at one place… like some sort of linear path. What I learned was that sometimes a scattershot of searching sometimes works best. It is a small thing, but it is a skill I will use in other games. Also, with my first jump into the Cthulhu world being just a few months ago, the simple words from the first handout are a callback to an unending exploration of how I role-play and how fear can motivate action. A landlord, Mr. Knott, asks you to examine an old house in central Boston, known as the Corbitt House. The former tenants, the Macario family, were involved in a tragedy and the owner wishes to understand the mysterious happenings at the house and set matters straight. Mr. Knott been unable to rent the house out since the tragedy and hopes that you can clear things up and restore its good name. He offers to reimburse you for your time and trouble. The landlord gives you the keys, the address and $25 cash in advance. Call of Cthulhu, The Haunting What could go wrong? 3 . New games remind you of some of the awesome things you used to do Remember that one time, you put that clever twist on your gaming experience. No, not that one, the other one. Nope, not that either. I think you did it around 2005…. What do you mean you don’t remember that far back? Often, we remember the epic battles and the clever encounters from years back. We have told and retold them with great fervor. But sometimes it was the little things that added more interest to the group and kept things going. Often a new game will remind you of such experiences and rekindle the love of the minute details. Though my jump into 13th Age was only one session, I was enamored with their idea of the “One Unique Thing.” Often, I had characters with that extra trait that set them apart, but often as time went on those clever ideas were left behind in the process. This forced me to look at that critically at the beginning of character creation. It is now in the forefront of my mind as I am in the midst of making a new character right now. 4 . You have a chance to use different dice Seriously, I have some under utilized dice in my pack. I look forward to dusting off some d6s for this wade into the Star Wars 3E universe.(Editor’s note, Star Wars’ games seem to like using odd or specific dice. The fantasy flight version of SW has its own dice which are cool, but it also requires you buy their specific dice. It’s a marketing ploy only a big game can get away with.) This article was written by Vanessa who is a sarcastic, 30-something wife and mother. She likes things and stuff, but not simultaneously. When she isn’t involved in things and stuff, she teaches middle school science, math, art, and other random subjects. She loves new teenagers in action. They make her laugh and shake her head and her world is much better with laughter. She thinks everyone should be roleplaying. She is also trying out this new twitter handle at @sarasma_nessa  Hello again, dear traveller.
While I normally don't goad you (or the other travelers who humor me by corresponding with an old man), I think you may wish to return to Carinford-Halldon with all due haste. An item has come into my possession that I think may be of interest to you. Last year, we encountered some small difficulty with an Outlander. He was a magic user with a flair for the dramatic. This flashy hothead caused a few stirs locally, with a tendency to use numerous magical spells which used children's toys as a unifying thematic element. What alerted us to the danger he represented was the disappearance of three children while he was in town. He disappeared before we could find him, but my father-in-law reliably tracked him to Odiare. Unfortunately, his trail seems to grow cold, but as Nathan was able to recover the young man's effects, I believe he may have met his end in that domain. What made this man particularly noteworthy was a number of unique spells at his command, all bearing his curious signature. I'd like you to return to peruse his spellbook. With any luck this grimoire can benefit you. I would endeavor to hurry, however, as my father-in-law is likely to believe the book is his by right, and may make a deal to barter it away within the near future. Here are descriptions of a few of the more curious spells, should you be interested. 1 - Trusted Companion 3rd Level Transmutation (Wiz, Sor, War, Bard) Casting Time: 1 action Range: Touch Components: V, S, M Duration: 1 round per caster level (5e) This spell targets a single child's toy, transforming it into a protector capable of fighting on its creator's behalf. It is capable of transforming a toy into any appropriate monster of CR 2 or less. (Transforming a stuffed lizard into a wyrmling dragon is appropriate, transforming a stuffed bear into a bulette is not.) The toy fights loyally for its creator until it is destroyed or the duration expires, at which point it transforms back into a toy. (3e) This spell transforms a single toy into an appropriate monster to fight on the creator's behalf. It can create any monster that could normally be summoned by Summon Monster III or Summon Nature's Ally III, but cannot create more than one creature per casting. In either version, the creature created is considered a construct. As such, it is not subject to critical hits or magical control that doesn't affect constructs. (A toy wolf animated by this spell could not be controlled by a Dark Lord that can control wolves.) Material Components: the toy to be transmuted. 2 - Lava Floor 2nd Level Conjuration (Sor, Wiz, Drd, Clr) Casting Time: 1 action Range: 20 ft emanation Components: V, S, M Duration: Concentration, up to 1 minute (5e) This spell causes the ground to generate an intense heat (which only affects creatures, not objects). At the end of every round the spell is in effect, any creature in contact with the ground takes 1d8 fire damage. This damage increases by 1d8 per round, to a maximum of one half the caster's level. (3e) As above, but the damage is 1d6, and increases by 1d6 per round, to a maximum of one-half the caster's level. Material Components: A pinch of red sand. 3- The Quiet Game 4th Level Enchantment (Wiz, Brd, Clr) Casting Time: 1 action Range: 25 ft + 5 ft/lvl Targets: Up to 1 creature/level Duration: 1 round/level (3e) or Concentration (5e) (5e) Each affected creature is silenced, unable to make any sort of vocalization (including spellcasting). Each round, an affected creature may make a single Wisdom saving throw (at any time, not just their action) to break the effect. A creature who successfully vocalizes takes 1d8 psychic damage for each creature still affected by the spell. (3e) As above, but the damage is 1d6 per affected creature and is psionic damage. In either version, the caster may choose to be affected by the spell, in which case they may break their own silence without suffering damage. Material Components: A bell without a clapper. 4- Porcelain Doll 5th Level Enchantment (Sor, Wiz) Casting Time: 1 round Range: 50 ft Target: 1 living creature Duration: 1 minute/caster level Save: Will negates (3e) or Wisdom negates (5e) (5e) This horrific curse strikes the target with the visage of a delicate porcelain doll. Their skin takes on a glossy white sheen and is as brittle as delicate ceramic. While affected, the target is immune to acid and resistant to fire damage, but vulnerable to bludgeoning damage. (3e) As above. The target gains immunity to acid damage, fire resistance 10, and takes double damage from bludgeoning weapons. In either version, suffering any physical damage will cause the target to suffer hideous cracks across their body, which linger after the spell's duration. These unsightly scars will permanently lower the victim's Charisma by 1. (This loss can be restored by magical means.) Material Components: A scrap of silk and a pinch of porcelain dust. 5 - Time Out 2nd Level Transmutation (Sor, Wiz, War, Brd, Clr, Drd) Casting Time: 1 action Range: 5 ft/caster level Target: 1 living creature Duration: 5 rounds Save: Will negates (3e) or Charisma negates (5e) (5e) The affected character is shunted into a pocket dimension for a brief time out. During this time they are unable to act or sense anything. After the duration expires, they appear in the space they left (or the nearest space if occupied). They are treated as if they've just completed a short rest (including any healing or regaining of any abilities), and any magical effects influencing their minds or emotions are dispelled. (3e) During the time out, any mind influencing effects on the character are dispelled. They also regain 1d6 hit points for each round spent in the time out. Material Components: A flag or whistle. Conclusion Although part of me hopes he's dead, another part of me hopes that showy bastard is still being kept alive somewhere in Maligno's realm, subjected to all manner of dark torments. No matter his eventual fate, the fact remains that the fruits of his arcane knowledge are ours (and yours) to plunder should you so desire. If you will be returning, please messenger me with all due haste. Gwendolyn so looks forward to seeing you again, as do the children. As always, wishing you safe travels and happy hunting, Frankie "Farshot" Drakeson, Lord Mayor of Carinford-Halldon Jim Stearns is a deranged hermit from the swamps of Southern Illinois. In addition to writing for the Black Library, he puts pen to paper for High Level Games and Keep on the Heathlands. His mad scribblings can frequently be found in Quoth the Raven, as well as anthologies like Fitting In or Selfies from the End of the World, by Mad Scientist Journal. Follow him on Twitter @jcstearnswriter.  I’ve been keeping tabs on the state of our peculiar little hobby for over three decades, and I have to say that I’ve never seen anything like the explosion of the last three years. Groups on various social media outlets are forming right and left, full of new and returning table-top gamers, ready to roll dice and make history… but a few of the gaming concepts many of us take for granted seem to be a little hard for new players to wrap their heads around.
One common thread I’ve noticed among the new generation concerns the classical two-axis alignment system: Lawful versus Chaotic and Good versus Evil. It seems to be a hang-up for a lot of new players who are trying to juggle a ton of new concepts in character creation. Maybe they like the idea of the Drow, but don’t want the evil baggage that comes with playing them, or they want to play a character with an edgy, possible treacherous back-story. An assassin, but with a heart of gold. Perhaps most common is the idea that they can play Chaotic Neutral, and just do whatever the hell they want. Us old timers groan a little at some of these questions on the forums and group posts, but a little history would serve us well. Before we were know-it-alls, we had the same questions, but we played enough to get a practical feel for alignment and how it plays out in-game. We read enough R.A. Salvatore books to comfortably play good-hearted Drow without breaking immersion. But is all this hand-wringing and hand-waving really necessary? Is alignment better consigned to the past, along with THAC0 and Elf-as-a-class? As with anything else, alignment, in a strict ‘as-written’ sense, is a mixed bag. 1 - Do You Really Want to Torture That Kobold? At its most basic, alignment is a guide to roleplaying your character. In that sense, alignment serves an important purpose for the player and GM in keeping a character’s actions consistent. It can be easy to half-ass roleplay a character, especially coming from a video-game background where your character is the classic murder-hobo / loot-machine: if it’s in front of me, it’s bad, it needs to die, and it probably has loot commensurate with how hard it is to kill. In this case, a strict adherence to alignment can nudge players and GM’s into a more nuanced story, forcing them to find options other than violence and mayhem. Nobody is going to remember another night of kicking in doors and killing everything inside. But kicking in the door and finding the kobold nursery, with hatchlings playing who start screaming at the sight of the players, possible alerting the guards next door... that’s a wicket that gets really sticky when you’re trying to play something other than pure evil, and alignment can keep players on the right track. You don’t have to be a paladin to object to killing adorable little lizard-babies. Of course, the flip-side to this problem is the player who wants a Chaotic Neutral character, and then uses their alignment as an excuse to wreak havoc on the game. When a player is standing over another player’s character, bloody knife in hand, and says, “I’m just playing my alignment”, well, that’s a problem with the player, not their alignment. ‘Chaotic Neutral’ doesn’t mean ‘Pure Psycho’, no matter how you parse it out, and alignment is never an excuse to make the game miserable for other players (including the GM). 2 - Uh, Yeah...Maybe I Do But eventually you might hit a situation where alignment can be a constraint. It’s easy to look at alignment as a rigid code of conduct, and, for new players, maybe that’s a good thing. But as players get a feel for what’s possible in a table-top game, they might want to push some boundaries. In that case, sometimes it’s better to let strict alignment fall by the wayside. Sometimes good people have to do bad things. Sometimes, good people want to do bad things. These are the cases that really define a character as more than a set of stats and loot, where cardboard cut-outs become fleshed out characters. In situations where a character’s stated morals are put to the test, it would be a shame if the player or GM put a hard limit on the story based on what’s on a character record sheet. What does a Lawful character do when they come up against unjust laws? Whether they obey or disobey and, more importantly, how they justify their actions, should transcend words on a character sheet. 3- Straight Talk At its most basic level, alignment is a label. It makes everybody aware of how your character is going to fit in. And if you walk in with any alignment with the word evil in it, you are making a character decision that dramatically affects everyone else at the table. Honestly, we can talk all day about what works for a specific group or player and how there are no bad ideas in tabletop RPG’s. But, generally speaking, running a standard game with an evil-aligned player character is a recipe for disaster. Can it be done? Absolutely. Is it really hard work? Absolutely. Is it worth all that hard work? Eh, maybe. But that’s where the nuanced approach to alignment works best. Your character can have some maladaptive tendencies without resorting to the ‘back-stabbing bastard’ extreme. Maybe they struggle to fit in. Maybe they find redemption in fellowship. That’s your story to tell. But don’t use alignment as an excuse to be an ass. So, like every other aspect of gaming, alignment really comes down to what works best at your table, with your group. However you implement it, remember one last nugget of Straight Talk that you won’t find on Facebook: Most every RPG adventuring party ends up, for all intents and purposes, Neutral Good. One player might stick hard along one axis or another, but, in aggregate, you’re generally heroes. You might not be avatars of righteousness, but you’re mostly trying to right wrongs, punish evil, and help people. You might stray between lawful and chaotic means to get there, but, in the end, you’re the Good Guys. As long as everybody’s on board with that basic fact, maybe ‘alignment as written’ should stay more a suggestion than a commandment. Jack Benner is the head bottle-washer and sole roustabout at Stick in the Mud Press http://stickinthemudgames.blogspot.com/  The DM. Yes, he goes by many names in the table-top community and she may also have the most feared position at the table. Many a character has died by his hand. Many a player has wept at her feet. “Methinks the DM doth have too much power,” to paraphrase that part in Hamlet. While we may have limited tools to defend ourselves against this tyrant, we have the books, magic, and our intuition.
Well, let your spite take over and use these brutal ways to break 5e (Which is typically really difficult to do which is why there's only 3 ways I could work up.) Please note I am using the optional feat rule and Volo’s Guide to Monsters, as well the optional multi-classing rule for some of these. 1- The Speedster “Well I’ve got a 50 ft speed,” Said the Barbarian to the party, “I can outrun all of you.” Imagine his surprise when you almost make a sonic boom and move from one side to the battlefield in less than a turn. While this build will require most likely require a merciful DM (ironic considering my rant, I know,) and some pretty solid rolls on loot, it is more than worth it in the long… run (One). In order to make this scary fast character you’re going to need to take the monk class, the Tabaxi race (Volos guide), the mobile feat, boots of speed, a haste spell and the dash action. When you put all of this together you come to a grand total of 1,120 feet in a turn. Allow me to break down the implications of this. If we look through the PHB they say a turn is roughly 6 seconds. If we do all of our calculations, you make a top speed of 205 KPH (127 MPH). Note: If this monk is made he is most certainly addicted to a very dangerous drug-speed. ( I’m not funny, also, two.) Maybe you don’t have boots of speed or the haste spell. Maybe you don’t even have the option to use feats. In that case, we still have the Tabaxi’s ability to double their speed for a turn, the dash action, and a max speed (at level 20) of 60 feet. Which means that at our worst we’re working with 240 feet maximum, which works out to 44 KPH (27 MPH). This speed is actually the fastest speed ever recorded by a human in real life, making it a bit better for a more realistic campaign. That really makes me want to BOLT (three) to the character sheets to whip up our fast feline. 2- See all, Know all If you’re like me and didn’t realize passive perception was a thing for the first while of playing 5e, then you were probably kicking yourself constantly asking your players to roll perception for everything under the sun, or asking to roll for perception constantly. Might as well try to redeem yourself with this build. (Please note I actually stumbled upon this build and was inspired to write this article through Nerdarchy, find their youtube channel here find their webpage here.) For this character you’re going to need the Observant feat, multiclassing as a ranger/rogue, putting your expertise (from the rogue class) into perception and investigation, high wisdom and intelligence, the Alert feat, and a robe of eyes. Allow me to show you the full power of this build; As you should know the highest DC in game 30, at level 10 (5 ranger/ 5 rogue) your total passive perception score is 28 (with a 20 WIS). At level 20, (again half and half) your total passive perception would be 32. Capped at 30 obviously. With the robe, you gain an advantage, darkvision (if you don't already have it), the ability to see invisibility (with 30 passive perception you’re pretty much already doing that) and the ability to see into the ethereal plane. Essentially you’re not going to miss much. EYE(four) think this is a pretty impressive build.(P.S. Might as well throw in a ring of x-ray vision because why not?) 3-Thick-Skinned Fish Swim speeds sure are handy. They may not be something you utilize constantly, but in a campaign where you’re always on the high seas or consistently around water, it becomes almost a necessity. With Volo’s guide, we received a few new races playing around with the many speeds in D&D. To me the Lizardfolk have a certain charm in comparison to the other three races that offer new speed types and even though the Tabaxi can SCALE(five) things with relative ease, the Lizardfolk have a bonus to AC that has lead me to find a most interesting combination. To perform this little trick the Lizardfolk race needs to be selected, as well as the barbarian class,a damn good CON and DEX, a ring of protection, a cloak of protection, and might as well grab a shield +3 (Note: During the rest of this article I tried to limit the amount of magical items to two when whipping up a game break, but without the maxed out shield, it couldn’t really be considered “game breaking,” also I assumed the Lizardfolk’s 13 base would apply to the unarmoured defence.) So, let's go this route; Lets operate under the assumption that you’re a level 20, and that your CON is 24 and your DEX is a respectable 18. At this point I’m really sick of math so I’m just going to blatantly say that your AC would be 31. Which as you know is completely insane. If we go to the absolute extreme with the rest of this and say that you have also read the Manual of Bodily Health and the Manual of Quickness of Action (Put the DEX at a cool 22 max and the CON a mighty 26 max) your total AC would be a grand total of 34. Which puts you in a CLASS(six) of your own, as the Tarrasque(highest AC in 5e) has an AC of 25. Long story short any game you try to break will break. However that does kind of suck the fun out of it doesn’t it? Although, every now and then everyone wants to sit back and relax in “god mode” for a while. No back BREAKING(a forced seventh) carry weight can stop you, no dirty CON(I’m really hating myself at eight) on a corner can fool you and no blade can SLICE(wait that’s not a pun) your thick skin. When it comes to basic characters, try to optimise, but keep in mind, there is a thing as “too” powerful, especially in games where balance is such a key aspect, and a part of the multiplayer aspect of D&D. If you want something where you’re good at everything and have powers of a god, go play an Elder Scrolls game. Jarod Lalonde is a young role-player and writer whose passion for both lead him here. He’s often sarcastic and has a +5 to insult. Dungeons and Dragons is his favorite platform. Although he’s not quite sure if it’s Call of Cthulhu whispering to him in the small hours of the night, or just persistent flashbacks to the Far Realm.  First let me say two things: I love Sir Volo; I've read all his books. My copy of Volo's Guide to the Sword Coast was so well used that it was held together with scotch tape and Cheeto dust. Second, I've been a DM for three quarters of my life so when I buy a new supplement I judge it on what it will add to my games.
I recently got Volo's Guide to Monsters as a Christmas present and I promptly ignored my family to read it through. Given my preoccupation with building campaigns I was excited for the possibilities of this new supplement for 5e D&D. I wanted to pass on my first impressions to other gamers and DMs. Here are some of the things that I am most excited about and some of my disappointment. First, my disappointment: 1) A missed opportunity for sub races. The introduction of 13 new playable races is great. That being said a supplement of this size surely could have spared some room for sub races. When I opened the book I went straight to the new playable races. Number 1, Aasimar: three sub races! Let me tell you how excited this got me, only to be let down hard. I know Aasimar are sexy and everyone and their drake wanted a fully fleshed out and playable Aasimar blessed by the good folk at WotC. But there are some of us, I bet a good number, who are just as excited about playing Hobgoblins and Lizardfolk. The complete lack of sub races for every other playable race was disheartening and I don't understand why. Take Hobgoblins, an advanced race with culture, art (if you disagree just look at the artwork in the monsters manual and tell me their armour isn't artistic), advanced education in magic and warfare, and a strong caste system. I can't imagine a race that evolved without sub races. If you don't accept that argument then look at the Yuan-ti, a race that has three distinct entries in the Monster Manual but only one is playable. If any of the entries deserved sub races it was them. 2) The entire Monstrous Adventurers section. Don't get me wrong, I wanted these stats bad and I'm happy to have them. There are six races in this section, Bugbear, Goblin, Hobgoblin, Kobold, Orc, and Tuan-ti; each with only a quarter page of information. To me, it is a bit confusing why these specific races are singled out as monstrous while the other races that appear in the Monster Manual (Kenku and Lizardfolk) get their own section. I hate to throw around the “R” word, but I’m pretty sure Sir Volo segregated the races here based on perceived alignment. And we all know that not every Drow is Evil… I would have prefered to see more racial information on these six entries for those of us who are inclined to play them. 3) Goliath? I was a little confused as to why the Goliath race was even in this supplement when it exists verbatim in the Elemental Evil supplement, and then why only Goliath, why not Aarakocra, Deep Gnomes, and Genasi as well? The one and a half pages that were used to regurgitate this information to us could have been put to better use, and as a customer I feel very slightly ripped-off. These three things are rank with laziness and I expected more from such an esteemed scholar as Volo. Then again I shouldn't be completely surprised as the depth of his research into some of the more interesting cities on the Sword Coast was also lacking. But let's talk about the exciting bits now. 1) Kenku, Hobgoblins, and Lizardfolk. I don't think I really need to say much more. I've always liked them as a playable race and was happy to finally have the stats. 2) Three Sub Races of Aasimar. So sexy. I was impressed with the thought and creativity of the sub races, they are: Protector, Scourge, and Fallen. Given the diversity of mythology around celestial creatures (i.e. Angels) I was pleased to learn that not all Aasimar are equal. What I like most about the subraces are that they lead to a deeper understanding of Aasimar as creatures overflowing with energy threatening to burst out of them. It adds a touch of tortured soul to a player that, if used well in role-playing, can bring a lot to the game aside from the immediate benefits that unleashing this energy provides. 3) Additional role-playing tips. Specifically: "Roleplaying a Kenku," "Lizardfolk speech," and Tabaxi Obsessions and Quirks. These little sidebars will add a lot to the many players who will inevitably play one of these three races. 4) The entire Monster Lore chapter is flavour town for a DM. You can make entire campaigns based around the cultural knowledge found in these sections. Some of my favourites are: The "Outside Combat" entry in the beholder section is great for a DM like me. When I create the villain and their lair I like to know how they would have built or acquired it and then build my encounter(s) appropriately. This small section allows for a richly developed beholder boss and its lair. As a note I generally start from the end and build my campaigns backwards using the villain’s motivations and methods to construct a story with continuity. "Beholder Variants." For those well seasoned adventuring parties who know exactly what to expect and plan for when fighting a beholder… not anymore (insert evil chuckle here). The "Giant Tongue" section. I love this not just because it can add a lot of flavour text for DM’s to use when building a campaign around giants but it will also add tiny moments of fun (and continuity) around encounters with giants. Imagine the PCs are spying on giants and you deliver an entire sentence in giant speech while giving the player who speaks giant Volo’s Guide to decipher it. Pure gold! Oh yeah, and Goliaths speak giant and any Goliath PC can use this to create their own interesting role-playing moments. The "Roleplaying a Giant" section is long and full of great stuff to add to giant campaigns and adventures. Including the specific sections on each giant race's Ordening. I enjoyed reading it and will enjoy weaving it into my next campaign. 5) Goblin Love. I've always felt that not enough attention is paid to the humble Goblin. Not only can you now play them but you also have detailed cultural knowledge for deeper stories. If you’ve got no love for goblins and you just use them as fodder for your PCs you can now create individual and detailed War Bands for smaller encounters or as part of a broader story line. 6) Cultural Lore for Monstrous Adventurers. This is where Volo redeemed himself to me, regarding the short and disappointing Monstrous Adventurers section. Each of the races that can be a Monstrous Adventurer has a corresponding section in the Monster Lore chapter. So for those of us who want to play a Hobgoblin, Lizardfolk, or Yuan-ti, we have a tonne of additional cultural information for a truly deep character, even if you don't get a separate sub race. If you were hoping for a recommendation to purchase or not, I won’t give you that. For my games, this supplement will add a lot. I have found in its pages more than enough information to build entire campaigns and add a lot of memorable moments to specific encounters and side quests. For my players, they get 13 new races to play and advice on playing most of them. I hope this helps to inform your decision on if you should buy it or not. Either way I wish you good gaming. Bryan is a 30 something coach and gamer in Edmonton, AB Canada. All he wanted for Christmas was more games. He is looking forward to playing his newest board game, Evolution, with his friends and wife as soon as humanly possible. But maybe, just a few notes on the next side quest, maybe warring Goblin tribes, or a beholder…. yeah a beholder will do the trick. |
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