The following scenes frequently pop up in most roleplaying games. Identifying them and knowing how best to use them will improve your game. This list does not intend to be exhaustive. Since each game comes with its own setting and rules, there are probably more types of scenes; however, these are the most common ones among all roleplaying games.
Most roleplaying games involve combat and are usually designed around it. It is difficult to find a game that doesn’t have at least an entire chapter dedicated to it. It can involve many things: swords, guns, spaceships, magic, superpowers, etc. Sometimes all you need to do is throw a few monsters at the players and that’s good enough. But if you do that too much, combat can quickly become stale. A common way of improving it is by including monsters with unique abilities that the players haven’t encountered before. Another, is by making each monster in a group different. In a group of three goblins, perhaps one is an archer, another is a swordsman, and the last one, a sorcerer. Finally, using Aspects from the roleplaying game Fate is an easy way to make a location more interactive. You could have flimsy wooden columns holding the roof of the dungeon that the players might destroy to cause a collapse. Or a raging river that drags anyone that falls into it. Make each combat a dynamic engaging experience, and your players will thank you for it.
From social intrigue to searching the woods, clues are the key component in any investigation. Players gather up as many clues as they can and reach a conclusion based on them; with any luck, the right one. It is vital that clues are not locked behind specific dice rolls, as a failure may cause the story to reach an abrupt stop. Likewise, deciding when and where the clues are beforehand may result in players fumbling about in all the wrong places. It is best to leave clues open, so that players can discover them with their own creativity. If one player suggests an idea where a clue might be found, and it seems reasonable, go with it. For example, a player might use one of his specialized skills such as “Weapons Expert” to find out what kind of weapon was used to kill the victim. Your investigations will flow much more smoothly if you don’t set things in stone and are open to new ideas.
3) Social Conflict
When an NPC has something that players want and is not immediately predisposed to handing it over, a social conflict ensues. One might be tempted to reduce social conflict to a single die roll, perhaps by persuasion or intimidation. But that turns NPCs into undecided characters that change their opinions because of a good die roll, and it quickly breaks immersion. Instead, make NPCs have motivations and roleplay accordingly. Be sure to make players aware of these motivations by hinting or outright saying them. As with clues, make sure to not lock things behind rolls. A greedy merchant might want to be paid to give information, with a die roll lowering or removing the price entirely. Meanwhile, a barkeep who only cares about the safety of their family might want some assurance that no harm will come to them. Following these tips, your NPCs will easily come to life and be more than just obstacles or quest givers.
Whether you’re following an outlaw on horseback, driving down streets running from the law, or pursuing a rogue spaceship through an asteroid field, chases are always entertaining. A good chase has multiple obstacles, and just like before, it’s best to let the players overcome them with their own creativity. Defining which rolls the players have to make beforehand will result in players simply rolling dice without no choice at all, leaving it all to random chance. A chase need not even have two parties involved. For example, a party leaving a collapsing dungeon. Debris from the falling roof might be dodged, blocked with a shield, or destroyed with magic. For an improved player experience, avoid making chases a dull series of rolls and make it interactive instead, like any other scene would be.
At some point, the players are going to stop and talk about what they are going to do next. They will discuss strategies and plans to overcome the obstacles to come. The best thing you can do here is listen. Players will often come up with original ideas you did not even fathom. It’s easy to say no and force them upon a predetermined path, but if they have good ideas, it’s best to adapt your plans to your players’ actions. If the players decide to use magic to fly up to the last floor of the antagonist’s tower, don’t make it have no windows or a “magic dampening field”; instead, turn it into a chase with the antagonist running through the different floors in the opposite order. Do give them some advantage for flying in though, perhaps a head start in the chase. Listening to your players is always important, and in planning scenes doubly so.
Knowing what types of scenes there are will not only help you in using them well, but also improvising them and transitioning from one to another. A successful chase scene could lead up to a combat, whereas a failed one could end up in an investigation. Be sure to use plenty of different scenes to spice up your adventures, and as always, have fun!
Rodrigo Peralta is a roleplayer and a DM that likes to playtest many different rpgs. He enjoys both highly detailed complex systems and barebone casual games. He participates in local roleplaying events as both DM and player.
Picture provided by the writer
23/9/2019 07:43:54 pm
There are certainly a lot of details like that to take into consideration. That is a great point to bring up. I offer the thoughts above as general inspiration but clearly there are questions like the one you bring up where the most important thing will be working in honest good faith. I don?t know if best practices have emerged around things like that, but I am sure that your job is clearly identified as a fair game. Both boys and girls feel the impact of just a moment?s pleasure, for the rest of their lives.
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